Search Details

Word: low-key (lookup in dictionary) (lookup stats)
Dates: all
Sort By: most recent first (reverse)


Usage:

Dick Cheney is perhaps the only good thing to come out of the John Tower mess. The six-term Wyoming Congressman and new Defense Secretary-designate is many of the things Tower was not: a gentlemanly lawmaker whose low-key style belies his tenacity; a conservative who wins plaudits from colleagues in both parties; a straight arrow whose spotless personal history includes a 25-year marriage to his high school sweetheart Lynne Cheney, 47, head of the National Endowment for the Humanities. Cheney, 48, even passes the all-important Sam Nunn character test. The Georgia Democrat hailed...

Author: /time Magazine | Title: On The Second Shot, a Straight Arrow | 3/20/1989 | See Source »

...low-key style of management presents a marked contrast to Sullivan and his confrontational style...

Author: By Matthew M. Hoffman, | Title: Robert Healy and the Role of City Manager | 2/9/1989 | See Source »

Bovian said that before Murden left, she was very low-key about her trip. She did not want to publicize it before she completed the journey. When she comes back, however, Bovian wants to have a large celebration for her friend...

Author: NO WRITER ATTRIBUTED | Title: Div. Student Reaches S. Pole | 1/23/1989 | See Source »

Well, at least they seem nice so far. Pat Sajak is the low-key, dryly sardonic host of TV's most popular game show, Wheel of Fortune. Starting next Monday, he will appear, bereft of Vanna White and those fabulous prizes, as host of the Pat Sajak Show, CBS's first late-night talk program in 17 years. Arsenio Hall, who co-starred with Eddie Murphy in the movie Coming to America, made his own TV splash as Joan Rivers' boyishly enthusiastic replacement on the Fox network's Late Show. This week he will rejoin the late-night fray...

Author: /time Magazine | Title: Video: And Now, Nice-Guy Talk Hosts | 1/9/1989 | See Source »

...sensible without being banal. They are charmingly appropriate to the region (wooden board and batten exteriors, exaggerated overhanging eaves) without being simply Hansel- and-Gretelish. Ann Mullaney's new information kiosks on Paramount Pictures' Melrose Avenue studio lot in Los Angeles are also admirably no-nonsense and low-key. They are neoclassical wooden booths with fine detailing, standing- seam copper roofs and all the glitz of a New England farmhouse. When a large corporation suppresses the instinct for overpolished aesthetics, hurrah for Hollywood...

Author: /time Magazine | Title: Design: Best of '88 A Compelling New Modernism | 1/2/1989 | See Source »

Previous | 111 | 112 | 113 | 114 | 115 | 116 | 117 | 118 | 119 | 120 | 121 | 122 | 123 | 124 | 125 | 126 | 127 | 128 | 129 | 130 | 131 | Next