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There is a wealth of low-key truths lurking in Furth's play--for here, unlike in a Simon comedy, you don't see the gags being cranked out and tossed at you; the revelations instead seem to slip out as if by mistake--which Sada Thompson manages beautifully. Her characterizations are triumphs of inflection. You never for a minute doubt that her women are all relatives under the skin, yet there is never any danger of the four characters melting into one. All the men involved--particularly Oakland, Bain and Haines--approach their roles with a similar respect...

Author: By Gregg J. Kilday, | Title: Towards a Comedy of Lost Possibilities | 10/28/1971 | See Source »

Even the title is pure Greene: low-key, self-deprecating, perfectly descriptive. Indeed, readers hoping for massive disclosures about the author's marriage, love life, experience of miracles, abortive World War II spy career, trip to a leper colony, et al., had best go back again to the novels. This brief autobiographical fragment ends in 1931. Greene was 27 years old at the time, and about to face a decade of relative failure following his early hit with a book called The Man Within. As he writes somewhat archly in the preface, more or less explaining why he stops...

Author: /time Magazine | Title: Books: The Man Without | 9/27/1971 | See Source »

Pragmatic and low-key, Lynch was once described as "the most ordinary man in the country" by the Irish Times. Referring to the fact that Lynch came to power in 1966 as a compromise candidate of his Fianna Fail party, the Times added: "His contribution has been to discover consensus politics; or maybe it was the consensus which discovered Jack Lynch." Equally plain-spoken was the London Economist's recent assessment of Lynch as "the best Irish Prime Minister that Britain is likely to get"-a judgment hardly calculated to endear him to an electorate that still regards Britain...

Author: /time Magazine | Title: The World: The Master of the Tightrope Act | 9/20/1971 | See Source »

...stage actor making his movie debut, is good, although he has yet to scale down his stage mannerisms to the closer dimensions of films. Kitty Winn performs with meticulous naturalism, and there is a gallery of strong secondary performances, including a nice cameo by Alan Vint as a tough, low-key narc. But even such sensitive, finely observed acting cannot provide the depth of insight or sympathy that The Panic in Needle Park so badly needs...

Author: /time Magazine | Title: Cinema: Straight Shooters | 8/2/1971 | See Source »

...sensational affair began quietly with the dull thud of the 486-page Sunday New York Times arriving on doorsteps and in newsrooms. A dry Page One headline?VIETNAM ARCHIVE: PENTAGON STUDY TRACES 3 DECADES OF GROWING U.S. INVOLVEMENT Was followed by six pages of deliberately low-key prose and column after gray column of official cables, memorandums and position papers. The mass of material seemed to repel readers and even other newsmen. Nearly a day went by before the networks and wire services took note. The first White House reaction was to refrain from comment so as not to give...

Author: /time Magazine | Title: The Nation: Pentagon Papers: The Secret War | 6/28/1971 | See Source »

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