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Word: lowbrow (lookup in dictionary) (lookup stats)
Dates: during 1990-1999
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Smith calls the film "a bizarre mix of lowbrow jokes and highbrow concepts and then vice versa." Ain't it, though? He mixes poop and prophecy, scatology and eschatology; he crams his script with enough belly laughs for six Adam Sandler movies and enough citations of angelology and the Gnostic gospels to make a Jesuit's head split. This is a Shavian debate--Don Juan in New Jersey--with potty mouth. Dogma, recall, comes from the Greek word meaning "to think." And that's what Smith wants the viewer...

Author: /time Magazine | Title: Cinema: Can God Take A Joke? | 11/15/1999 | See Source »

Poverty-row chillers were a staple in the 1950s, with a string of lower-than-lowbrow horror movies by such directors as Roger Corman (Not of This Earth) and William Castle (The Tingler), films that were enjoyable in direct proportion to our sense that they were made without adult supervision. The tradition was carried on by filmmakers like David Cronenberg; though later celebrated for the high-toned horror of The Fly and Dead Ringers, he never matched the shocks of his early, amateurish offerings such as Rabid and They Came from Within. The Texas Chain Saw Massacre, directed by Tobe...

Author: /time Magazine | Title: Cinema: The Predecessors: They Came from Beyond | 8/16/1999 | See Source »

Shakespeare himself, who perfected the double entendre, would have appreciated the sight gags and lowbrow humor that comprise so much of this play. Traditional gags and constant physical comedy alone make this play funny, but rich word-play quickens and deepens the humor. The writers who created The Compleat Works are clearly Shakespearean scholars. "That which we call a nose, by any other name, would still smell," philosophizes one actor in the ten-minute version of Romeo and Juliet at the play's inception. Allusions to contemporary pop culture not only demonstrate Shakespeare's relevance, but allow the audience...

Author: By Jaime L. Jones, CRIMSON STAFF WRITER | Title: Three Men and a Bard, Well-Cut | 8/13/1999 | See Source »

Shakespeare himself, who perfected the double entendre, would have appreciated the sight gags and lowbrow humor that comprise so much of this play. Traditional gags and constant physical comedy alone make this play funny, but rich word-play quickens and deepens the humor. The writers who created The Compleat Works are clearly Shakespearean scholars. "That which we call a nose, by any other name, would still smell," philosophizes one actor in the ten-minute version of Romeo and Juliet at the play's inception. Allusions to contemporary pop culture not only demonstrate Shakespeare's relevance, but allow the audience...

Author: By Jamie L. Jones, CRIMSON STAFF WRITER | Title: Three Men And a Bard, Well-Cut | 7/30/1999 | See Source »

...prove a harder sell, consisting as it does of wishy-washy arrangements of hymns and Celtic folk songs, with Andrew Lloyd Webber's easy-listening setting of Pie Jesu thrown in for bad measure. Sony Classical, which is devoting a steadily increasing share of its energies to such lowbrow crossover projects as Michael Bolton's My Secret Passion: The Arias and the Titanic sound track, is promoting the CD aggressively (Church is sharing space with Mariah Carey on some New York City record-store posters). To date, though, Voice of an Angel has yet to rise above...

Author: /time Magazine | Title: Music: Charlotte Church: Youth Will Be Served | 6/21/1999 | See Source »

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