Word: loweã
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...Lowe??s boyish giggle offsets the subdued mohawk and slight trace of black eyeliner that betray his rock-star alter ego. When singing in his new band “Tommy and the Tigers,” Lowe??s costume choices range from a pink lounge suit to black leather pants, and his crisp gyrations, coaxing smile, and lusty vocals draw in audiences. Lowe has been playing to the crowd in one form or another for the majority of his conscious life, and he’s not about to stop...
...Mozart’s “The Marriage of Figaro” and Sondheim’s “Sunday in the Park with George” and explored his feminine side in two of the past four Hasty Pudding Shows as Lilah Kedog and Pocahotness. Lowe??s musical career at Harvard included a stint with the Veritones and guest performances with the Harvard Pops Orchestra in everything from jazz to pop to classical music. “I think he likes just being in front of people,” says Michael T. Drake...
...continue to loosen up in the bullpen, trying to imitate Lowe??s delivery from the stretch. All I need is a devastating sinker, a month without a haircut, and some alcohol problems, and the two of us will be indistinguishable. Actually he’d still have me beat, since I didn’t win the deciding games of all three of Boston’s playoff series last year, nor did I strike out Adam Melhuse and Terrence Long looking to end the heart-throbbing 2003 ALDS against Oakland...
...won’t talk about Aaron Boone. I won’t talk about Joe Kerrigan or Manny or Jimy Williams or Grady Little. I won’t talk about Jose Offerman or bullpen by committee or Derek Lowe??s absurd collapse as a closer...
...male leads, Scott P. Asher ’02 and Thomas P. Lowe ’05, who play Governor Almaviva and Figaro, respectively, both carry their scenes ably, communicating the opera’s inherent comic appeal. Lowe??s wickedly clever yet playful Figaro is particularly memorable. He brings roars of laughter from the crowd, and his mischievous glances charm the audience...