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Word: lowe (lookup in dictionary) (lookup stats)
Dates: during 1940-1949
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Usage:

Odessa hadn't caught up with bebop yet, but it already had too many low American habits to suit Pravda. "How can we get rid of swing and jitterbugging," Pravda demanded to know, "when . " . vulgar melodies [like] Pussycats, Crazy Girl and White Moth sound in the public places . . . pampering low-grade tastes . . . while folk and real ball dances are unavailable...

Author: /time Magazine | Title: Music: How Deaf Can You Get? | 5/17/1948 | See Source »

...while, he was red-hot on airplanes, bought one, and learned to fly it. But he got over it, just as he also cooled off on previous enthusiasms for bridge, tennis and backyard barbecues. The only sports he has never tired of are fishing, golf (he plays in the low 80s) and horses...

Author: /time Magazine | Title: Cover: Man on a Horse | 5/17/1948 | See Source »

After a race, Davison would take Eddie aside to diagram his mistakes. He showed Arcaro how he lost distance by swinging wide to go around two horses on a turn; low he risked being run into the rail by trying to squeeze through on the inside of a front rider. He formulated it into a rule that Eddie still works by: "Never go outside of two or inside of one." Davison was insistent about never losing ground; it cost Arcaro one spill after another, trying to squeeze through between horses. The first bad tumble he had was from a plater...

Author: /time Magazine | Title: Cover: Man on a Horse | 5/17/1948 | See Source »

...lustrous memory of the late Marilyn Miller. And though in Willie Howard Sally has a star, it seldom lets him shine. In the role originally played by Leon Errol, Howard talks twaddle that is too refined. Only here & there can he muscle out of the show-with some triumphantly low-down touch, or by singing variations on Look for the Silver Lining...

Author: /time Magazine | Title: The Theater: Old Musical in Manhattan, May 17, 1948 | 5/17/1948 | See Source »

...served up by people who obviously admire Writer-Director Preston Sturges and his cynical gift for playing both ends of a cliche against the audience's middle. Nothing is too stale or too simpleminded: a sheriff (William Demarest) trying to be heroic with one leg in a low-comedy plaster cast; a brat tormenting the neighborhood with trombone practice. But most of it is quite funny, and besides his feeling for slapstick and travesty, Director William Russell knows how to shade in some sharp authenticity. The most redolent blend of realism and caricature is Beulah Bondi as the richest...

Author: /time Magazine | Title: The New Pictures, May 17, 1948 | 5/17/1948 | See Source »

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