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Word: lowing (lookup in dictionary) (lookup stats)
Dates: during 1960-1969
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Usage:

...little if any gain in 1969. Behind the pessimism were two negative portents: capital spending fell by an annual rate of $2 billion in this year's second quarter; and in the third quarter, the nation's plants were producing at 83.3% of capacity, a five-year low. Even so, economic signals are beginning to continued on next page foretell a rise in capital spending next year...

Author: /time Magazine | Title: The Economy: Signs of Expansion | 12/13/1968 | See Source »

...industry-a branch of U.S. business that collects an average $250 annually for each of the 100 million cars on U.S. roads. The public hearing followed an eight-month study that faulted the automakers and the nation's 400,000 auto-service outlets for the high cost and low quality of maintenance...

Author: /time Magazine | Title: Business: AUTOS: THE MESS IN THE GARAGE | 12/13/1968 | See Source »

Firemen's Ball and Oratorio for Prague--Two first rate, if lightweight, Czech films which run amuck. In Milos (Loves of a Blonde) Forman's comedy, the dramatic action edges toward the consequential and finally becomes downright grisly, with no let-up in the constant low-key joking. In Jan Nemec's documentary, reality gets out of hand as the appearance of Russian tanks drastically alter what had been intended as a cheerful film about the liberalized Dubcek regime. At the EXETER, Exeter St. between Commonwealth & Newbury...

Author: NO WRITER ATTRIBUTED | Title: Movies and Plays This Weekend | 12/13/1968 | See Source »

...Charles Cinema is The Dove, a short, funny, successful American parody of Ingmar Bergman. It does what no genuine Bergman film has been able to do: bring us closer to Bergman. That's because it plays up all his most endearing traits (low-key lighting, throaty language, immense closeups, symbolism played to the hilt) without his most threatening: his faith...

Author: By David W. Boorstin, | Title: 'The Dove' and the Swede | 12/13/1968 | See Source »

...ironic (if unsurprising) that Ingmar Bergman, amidst his low-key lighting and contrasty soundtracks, huge closeups and merciless symbolism, should fall prey to his own musing. Bergman's intellect and intuition never quite fuse: they live separately in Bergman the scriptwriter and Bergman the film director. Film is the most direct medium, but Bergman sees his ideas as literary...

Author: By David W. Boorstin, | Title: 'The Dove' and the Swede | 12/13/1968 | See Source »

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