Word: lowing
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Dates: during 1960-1969
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...prestige and would give the U.S. time to shore up its positions elsewhere. But that advantage is not worth the cost?in lives, in money, and in domestic discord. Bitterness at home is likely to grow so severe, if the war is continued even at a relatively low level, that the U.S. system itself is likely to be seriously impaired. Besides, the longer the war lasts, the stronger will be the sentiment for "No More Viet Nams"?a new isolationism that will cripple future U.S. policy in the world...
...wreck rate was a disastrous 83.6 crashes per 100,000 hours of flying time; the international norm is between 15 and 20 crashes per 100,000 flying hours. One problem was that the Germans turned what had been designed as a fairweather, high-altitude interceptor into a low-altitude, multipurpose fighter-bomber and tried to fly it in the tricky weather of Central Europe. Another difficulty was that the Luftwaffe's pilots and maintenance men lacked the training and experience to handle the complicated, equipment-crammed plane. Before long, the Starfighter came to be known as the "flying coffin...
...fourth game, in a transport of fury, Weaver was banished from the field. But nothing could hide the awful fact that the Oriole power had failed. Their heralded hitters mustered only a combined batting average of .146. Not even Hot Rod and Choo Choo had ever sunk that low...
Short on recipes (fewer than 100 in all), long on pictures (Alice in low-cut dress, shot from above; Alice in tight-fitting pants suit, shot from below), the cookbook is hardly aimed at self-styled Escoffiers or even Julia Children. "Recipes aren't as important as the philosophy behind them," says the author. "Good food is food you eat with your friends, when everybody is having a good time. So making sure that everyone is having a good time is the key to a successful meal...
...confirms its enduring validity. Grotowski begins by stripping away everything that he regards as the excess baggage of drama -makeup, props, lighting effects, music, scenery, a conventional stage. He even strips away a good part of the audience, never allowing it to number over 100 and sometimes as low as 40. He also has a very precise idea about what that audience should be like: "We do not cater to the man who goes to the theater to satisfy a social need for contact with culture: in other words, to have something to talk about to his friends...