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Word: loy (lookup in dictionary) (lookup stats)
Dates: during 1970-1979
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Usage:

...later, Davis, 65, gave away much of her bedtime reading to Boston University's Mugar Library. Changing homes in Westport, Conn., she donated more than 4,000 books covering four decades of theater and the arts. True to style, she overwhelmed the competition. Even though Movie Queens Myrna Loy and Joan Fontaine have given their personal papers to the same library, Special Collections Curator Howard Gotlieb will house the Davis booty in separate quarters to be known as the Bette Davis Library...

Author: /time Magazine | Title: People, Oct. 8, 1973 | 10/8/1973 | See Source »

Split between old film hands and old stage hands, the cast is uneven in performance. Making her Broadway debut as Mary's mother, Myrna Loy, 68, seemed apprehensive in her entrances and exits and confined her delivery to flat recitation. Also making her first Broadway appearance, Rhonda Fleming, 49, seemed to be posing for a camera rather than playing to an audience. Of the stage veterans, Dorothy Loudon and Mary Louise Wilson are tartly expert comediennes, and Jan Miner is wonderfully hilarious as a countess addicted to husbands (five) and alcohol (90-proof...

Author: /time Magazine | Title: The Theater: Witchy Laugh Potion | 5/7/1973 | See Source »

...Alberto Sordi's performance lends depth to Nanni Loy's savage comedy about a false arrest...

Author: /time Magazine | Title: Cinema: The Year's Best Films | 1/1/1973 | See Source »

...movie is rather abrupt and disconnected, partly because that is the nature of Di Noi's trial, but also because Director Loy too often seems eager to get his character through the course. Sordi's face is India rubber, his body a whole silent vocabulary of bewilderment. He is a grand master of the single, perfect gesture that cannot only shape a scene but punctuate it. Addled after submitting to a quick series of police mug shots, Di Noi is asked for his "other profile" and hastily turns the back of his head to the camera. Protesting...

Author: /time Magazine | Title: Cinema: Rhetorical Question | 12/11/1972 | See Source »

...series of such miniature combats, of ironies and outrages made acute because they are so palpably possible. Di Noi is too self-effacing for an Everyman, too funny for a Job. He is only ordinary, but through Sordi and Loy he is remarkably and indelibly...

Author: /time Magazine | Title: Cinema: Rhetorical Question | 12/11/1972 | See Source »

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