Search Details

Word: loy (lookup in dictionary) (lookup stats)
Dates: all
Sort By: most recent first (reverse)


Usage:

Twentieth Century-Fox's ebullient Darryl Zanuck characteristically promised "at least five" $2,000,000 pictures: The Rains Came, with Tyrone Power, Myrna Loy, George Brent; Stanley and Livingstone; Little Old New York with Alice Faye; Brigham Young; Drums Along the Mohawk. Shirley Temple will do Lady Jane in Technicolor...

Author: /time Magazine | Title: Cinema: Menu | 5/29/1939 | See Source »

Lucky Night (Metro-Goldwyn-Mayer). Bad luck for Myrna Loy and Robert Taylor, gummed up in a sticky-silly version of the story about a couple who get acquainted, drunk, married...

Author: /time Magazine | Title: Cinema: Also Showing | 5/22/1939 | See Source »

...Lucky Night," with Myrna Loy and Robert Taylor, should be swallowed only with a stiff antidote of Jonathan Edwards' Sermons. This hangover from the screwball comedies of Carole Lombard would be otherwise too tough to take. A night of recklessness and a drunken marriage, with all the usual complications, results in just another telling,--and a too, too giddy one--of an old story. The plot has no excuse except as a vehicle for MGM's big stars, and if the picture is merely a planetarium, it very definitely needs more power in the projector. The film is nothing more...

Author: NO WRITER ATTRIBUTED | Title: THE MOVIEGOER | 5/18/1939 | See Source »

Carrying on in the William Powell-Myrna Loy tradition, Robert Montgomery and Rosalind Russell succeed with little effort in becoming entangled in a theft and murder mystery. A mad whirl that includes to murders and two trips to the underworld is started by the theft of a priceless Shakespearean manuscript. As the plot swirls and eddies, our hero Joel Sloane, a dealer in rare books, emerges unscathed from an arrest by the police, an attempted seduction, and a gruesome automobile accident. But all ends happily when Joel is shot in the seat by his wife, though the title "Fast...

Author: NO WRITER ATTRIBUTED | Title: The Moviegoer | 5/1/1939 | See Source »

...movie star is a frank and homegrown air which both U. S. and foreign audiences recognize as essentially American. In spite of her two marriages (moderate for Hollywood) she represents the American Girl, 1939 model-alert, friendly, energetic, elusive. Less eccentric than Carole Lombard, less worldly-wise than Myrna Loy, less impudent than Joan Blondell, she has a careless self-sufficiency which they lack. As a dancer, Ginger Rogers has been immensely improved by her association with Astaire, who works out the routines for most of their numbers, then teaches them to her. She now has no screen rivals...

Author: /time Magazine | Title: Cinema: Dancing Girl | 4/10/1939 | See Source »

Previous | 39 | 40 | 41 | 42 | 43 | 44 | 45 | 46 | 47 | 48 | 49 | 50 | 51 | 52 | 53 | 54 | 55 | 56 | 57 | 58 | 59 | Next