Word: loyall
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...View, called Crack ?Ho View and featuring drug addicts discussing politics. The risk with getting more outrageous: that Stern turns off more listeners than he lures. As he closes in on his mid-50s, moreover, no one knows if the young guys who form his core audience will stay loyal, especially since there are so many other ways to get a fix of bathroom humor-on the Internet, of course, but also on XM, which broadcasts the shock jocks Opie & Anthony...
Awkward Landing, a local hip-hop trio that includes Harvard student DJ Shiftee (Sam M. Zornow ’08), brought out a surprisingly large conti ngent to the show, and their loyal fans and pumping their fists and singing along in the middle of the floor. The group took to the stage explosively, playing amped-up versions of songs off of their debut album “What’s Eating Awkward Landing...
...she’s funny. (She also hiccups with laughter at her own jokes.) She’s kind. She’s loyal. She has an uncanny ability to quote from “Sex and the City,” polishes even the dirtiest FTMs to a shine, and shotguns a beer faster than you can blink. And she does it all while smiling a snarl, exclaiming infectious nonsense (“Got To!”), and recalling her many enviously silly escapades. She’s basically everything FM wants to be, wrapped...
...Ramallah has 20 top-class restaurants, all better than anything else in the West Bank or Gaza, including five that have opened just in the last six months. But restaurateurs can't always shut out politics. Darna is a popular, traditional Middle Eastern eatery, where bow-tied waiters serve loyal customers, including top Palestinian Authority officials. Last April, local gunmen who wanted to show their discontent with the government charged into the restaurant during a busy dinner period. As diners fled, the gunmen shot the restaurant to pieces. Even in Ramallah, sometimes violence trumps civilized life...
Similarly, Emilia (Anna M. Resnick ’09) remains the loyal servant and wife, yet she is so embittered by the abuse of her husband Iago, that her decision to betray her mistress (with whom she also spars to comic effect) can be interpreted as a desperate attempt to find acceptance and emotional warmth. The play even manages to give Bianca (Julia C.W. Chan ’05), more dimension than that of an innocent whore; here, she is painted a desperate idealist, capable of more passion than her one-dimensional exterior amiability in the original work would have...