Word: lps
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Dates: during 1970-1979
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...that. And your friends the record companies, in the spirit of generosity, good will towards their fellow men, and increasing the profit margin, have once again raised the price of albums. CBS and Warner Brothers, the two huge record company conglomerates, have upped the prices on a few new LPs to $8.98. The higher prices are only on the latest sure-fire releases, the ones you'll but for even $12 (maybe) and the record companies are seeing if they can slip by the price increase without consumer protest. If they can, look for the increase to spread to lesser...
Puccini: La Fanciulla del West (Soprano Carol Neblett, Tenor Placido Domingo, Baritone Sherrill Milnes; Chorus and Orchestra of the Royal Opera House, Covent Garden, Zubin Mehta, conductor; Deutsche Grammophon; 3 LPs). Fanciulla (1910) is a second-rate Italian opera comically posing as a shoot-'em-up thriller. Neblett makes a dramatic frontier heroine. Domingo, as her lover, sings everyone else under the bar, and Milnes is dashingly villainous. With Mehta in the saddle, chorus and orchestra ride smartly home...
Prokofiev: Ivan the Terrible (Mezzo Irina Arkhipova, Baritone Anatoly Mokrenko, Narrator Boris Morgunov, Ambrosian Chorus and Philharmonia Orchestra, Riccardo Muti, conductor; Angel; 2 LPs). This oratorio, arranged from Prokofiev's score for Eisenstein's two-part Ivan the Terrible film, makes splendid melodrama. Muti conducts a dashing blend of ominous march rhythms, pagan-sounding brass flourishes and pealing Russian bells...
Mahler: Symphony No. 1 (Boston Symphony Orchestra, Seiji Ozawa, conductor; Deutsche Grammophon) Symphony No. 6 (Berlin Philharmonic, Herbert von Karajan, conductor; Deutsche Grammophon; 2 LPs). Ozawa's intensity is ideal for the extreme contrasts of the stormily triumphant first symphony. Conducting the grim, immense sixth, Karajan draws amazing color from the orchestra. The slow third movement is a lovely idyl amidst the gloom...
Among other things, Willie saw a chance to "create my own market" by bringing together Austin's country audience with the rock devotees and college crowd on its fringes. While his post-Nashville LPs began building a national following, he consolidated his local reputation by promoting a series of July 4th outdoor concerts featuring friends like Leon Russell and Kris Kristofferson-and, not incidentally, himself. "When I was in the encyclopedia business," Willie explains, "I learned that whatever you want to sell, first you've got to sell yourself...