Word: lps
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...part of the movies whose titles they bore, but also became huge independent hits. Nowadays a producer may assign a composer to do a title tune even before he casts the leading roles or raises all his money. Even mere accompaniment scores without notable single tunes are selling on LPs. Currently there are more than 200 movie LPs, and record men are unreeling more as fast as they can tape them...
...long-looking) disks, the record industry has profoundly influenced American pop and jazz artists. While in the early days of the microgroove decade the 45-r.p.m. disk was the major vehicle for pop singers, all of the more imaginative pop and show tunes are now recorded on LPs. The 45, with only three minutes to sell its wares, relies on the babbling lyrics and thudding beat of rock 'n' roll and kindred styles. But the LP provides time for the leisurely display of stylists and songs, has pushed the outer age limit of pop record buyers into...
Mozart: Divertimenti (Vienna Philharmonic Wind Group, Vienna Konzerthaus Quartet; Westminster, 5 separate LPs). Three of these disks for various combinations of woodwinds have an outdoor note that adds a tart delight to indoor listening. They are cleanly played, gay, youthful craft pieces composed for special occasions. The music bounces and jumps, always with 18th century dignity, puts no strain on the intellect. The other two disks are scored for strings and have a bit more body and substance...
Beethoven: the Late Quartets Nos. 12-16 (Hollywood String Quartet; Capitol, 5 LPs). Despite its frivolous name-its members are movie studio musicians-the Hollywood Quartet is a first-class outfit, and it meets this Everest of chamber music on its own heights. It lacks the bite, power and drive of the Budapest, whose Beethoven performances are unique, but its tone is warmer. In the haunting sighs and groans of the tragic No. 14, the Hollywood dips beneath the surface to the inner life of a matchless work...
Bartok: Complete String Quartets (Parrenin Quartet; Westminster, 3 LPs). These six quartets were written over a period of 30 years, between 1908 and 1939. Even the earliest reveals a musician of size and depth. Impressively played, all reveal a dazzling ability to create new sounds about old torments, a gift for making strings do everything but talk. Sometimes, in the strange musical idiom Bartok invented, they seem to do even that...