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...Buchloc is wise to point out, Watts is a sculptor of the surface, not of substance. It avoids linear meaning and sculptural formalism, displaying instead a fetishistic obsession with surface textures, transparency, translucency and reflection in works like "Three Clouds" (cubes patterned with cloud images), "Phono Records" (four LPs made of different materials) and, most impressively, his huge array of objects cast in a high-sheen chrome. The series of metallic West African votive dolls are craftily placed together in the penultimate room of the exhibition space, mimicking an ethnographic collection...

Author: By John Hulsey, CONTRIBUTING WRITER | Title: Dada's Children: Fluxus Redux | 5/5/2000 | See Source »

Deejays bring the same feeling to rock. By sampling from various genres and eras, they make the past the present and vice versa; they turn rock into hip-hop and back again, throwing everything into the mix, making boundaries illusory. Lethal, for example, has 60,000 LPs in his collection, from different decades and different genres. DJ Skribble, who has performed with the hard-rock band Anthrax and who is the co-host of mtv's Global Groove dance show, says, "People are now into groups and artists and not specific genres of music. Deejays are making music less segregated...

Author: /time Magazine | Title: Music: Rock's New Spin | 10/18/1999 | See Source »

...five years ago, some young fellows enrolled in a music business course at Stow College collaborated with a group of Scottish musicians to produce an album and release 1,000 copies. The group, which was later signed to a British and then American label, have rapidly put out two LPs and four EPs (members in the band pressing two additional full-length albums as side-projects). In the quasi-fascist recording environment of label-dominated markets, this is almost unheard of production...

Author: By Luke Z. Fenchel, CRIMSON STAFF WRITER | Title: Great Expectations: B&S Release a Prequel | 7/23/1999 | See Source »

Brian Wescott '84 recalls listening to his Shakespeare readings on vinyl LPs to decrease study time. "Because Shakespearean actors enunciate so clearly, I could play the records at 45 rpm and get through them even faster," he said...

Author: NO WRITER ATTRIBUTED | Title: The Nation's First Undergraduate Library Turns 50 | 6/7/1999 | See Source »

...SPIN When CD players first arrived in 1982, audiophiles complained that the tinny digital recordings lacked the warmth of analog LPs. Now Super Audio CD, a new format co-created by Sony and Philips, uses a simplified digitization process to put the subtlety of LP sound on clear, hiss-free compact discs. SACD debuts this month in Japan, and will go on sale in the U.S. in the fall. The true test? Whether a generation raised on Discman can tell the difference...

Author: /time Magazine | Title: Your Technology May 31, 1999 | 5/31/1999 | See Source »

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