Word: lps
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Mahler: Symphony No. 3 (Martha Lipton, mezzo-soprano; the New York Philharmonic, Leonard Bernstein conducting; Columbia, two LPs). A radiant reading by Bernstein of Mahler's mammoth, six-movement "musical poem...
Verdi: Aïda (Leontyne Price, Rita Gorr, Jon Vickers, Robert Merrill, Giorgio Tozzi; Rome Opera House Orchestra and Chorus, Georg Solti conducting; RCA Victor, three LPs). Soprano Price's tigerish passion and luminous voice discover a moving Aïda-and cleave through the massed choral and orchestral sound unfalteringly...
Beethoven: Fidelio (Mezzo-Soprano Christa Ludwig, Tenor Jon Vickers, Basses Gottlob Frick and Walter Berry; the Philharmonia Orchestra and Chorus, conducted by Otto Klemperer; Angel, 3 LPs). An easy-breathing, expansive performance notable for the clarity of its orchestral effects. There are more dramatic Fidelias but none with quite the same air of authority that Klemperer musters here. Mezzo Ludwig's singing is pure, true and warm; she creates a Leonora that is consistently moving and everywhere credible...
Berlioz: Romeo and Juliet (Mezzo-Soprano Rosalind Elias, Tenor Cesare Va-letti, Bass Giorgio Tozzi; the Boston Symphony Orchestra, conducted by Charles Munch; RCA Victor, 2 LPs). Berlioz' "symphony with chorus" is given a soaring, beautifully proportioned reading by Munch, and all three soloists contribute performances that are almost without flaw. As satisfactory a performance as the work is likely to find...
Clubs & Jargon. The real bounce in the tape market is provided by home tapesters who like to do their own recording-either from radio broadcasts or from borrowed LPs (a $12 album can be put on tape costing about $4). Although recording from broadcasts is a definite copyright violation, the tapesters went at it even more vigorously last year, after the advent of FM-stereo broadcasting...