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...chic. Pomona's retired English Professor Harlan Smedley, 53, who plays a harpsichord as "a countermeasure to all the tensions and noisiness of the day," thinks that "you can't be a pest on a harpsichord." Most harpsichord buffs are piano players who discovered baroque music on LPs; once accustomed to the sweet, incisive, brilliant tone of the harpsichord (its metal strings are plucked by leather plectra or picks, instead of being struck by hammers), they find its sound mystically satisfying. West Coast Psychologist Bob Johnson, 39, heard his first harpsichord on a recording by Yella Pessl, found...

Author: /time Magazine | Title: Music: The Plectra Pluckers | 8/15/1960 | See Source »

...right through the riotous weekend, drew 750 people on Sunday night, grossed $4,700. With the encouragement of Louis Lorillard's divorced wife Elaine, they made plans to form their own Jazz Artists' Guild, and to sell tapes of their concerts, which eventually may appear on four LPs under the title Rebellion at Newport. The cool rebels, including such top modern jazzmen as Roy Eldridge, Jo Jones, Ornette Coleman and Coleman Hawkins, hope to appear at Manhattan's Village Gate, tour the country next winter, return in triumph to Newport next year...

Author: /time Magazine | Title: Music: Newport Blues | 7/18/1960 | See Source »

...Thomas Beecham recorded the work with the Royal Philharmonic Orchestra and Chorus (Jennifer Vyvyan, Monica Sinclair, Jon Vickers, Giorgio Tozzi; RCA Victor, 4 LPs, mono and stereo). His performance is the most opulent of the lot, the most animated-and by all odds the farthest from any thought in Handel's mind. In defiance of "drowsy armchair purists," Beecham offers a thunderously 19th century-styled orchestration-lush, richly colored, and full of dramatic contrasts. Soloists and chorus are uniformly fine, but the recording is not for listeners who take their Handel neat. Eugene Ormandy offers a severely cut reading...

Author: /time Magazine | Title: Music: New Records, Jan. 4, 1960 | 1/4/1960 | See Source »

...Malcolm Sargent produces a package (Elsie Morison, Marjorie Thomas, Richard Lewis, James Milligan; the Huddersfield Choral Society; the Royal Liverpool Philharmonic Orchestra; Angel, 3 LPs, mono and stereo) that lacks the fire of Beecham, the vocal glories of some of the Ormandy passages, emerges as painstaking rather than impassioned. Perhaps the best performance of the crop is furnished by Hermann Scherchen (Pierrette Alarie, Nan Merriman, Leopold Simoneau, Richard Standen; the Vienna State Opera Orchestra and the Vienna Academy Chorus; Westminster, 4 LPs, stereo), which is marked by some lovely, light-textured choral passages, a translucent orchestral sound and a movingly...

Author: /time Magazine | Title: Music: New Records, Jan. 4, 1960 | 1/4/1960 | See Source »

...album cover is a red sticker emblazoned with the record pitchman's call: "30 Complete Selections on 2 LPs, Regularly $9.98, Special Only $3.98." Inside is a strange mixture of musical candies: Jeanette MacDonald and Nelson Eddy singing Indian Love Call, Arturo Toscanini and the NBC Symphony playing the Prelude to Act III of Lohengrin. Perez Prado, Tommy Dorsey and Perry Como rub grooves with Enrico Caruso, Sergei Rachmaninoff and Leopold Stokowski...

Author: /time Magazine | Title: Music: The Compleat Diskman | 12/14/1959 | See Source »

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