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Word: lualdi (lookup in dictionary) (lookup stats)
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...last week of Gershwiniana, a $100,000 "ballet-cantata" based on George Gershwin's music and billed as "a great moment in Italo-American collaboration." After opening night, the bemused Milanese had another name for it: "La Scala Follies." The critics had some complaints, some major (Director Maner Lualdi's failure to stitch the kaleidoscopic scenes into a visual and dramatic whole), and some minor ("How can one stage a 1910 New Orleans dance palace without calling in a single colored face...

Author: /time Magazine | Title: Conductors: Top Face | 12/31/1965 | See Source »

Gassman's Roman rakes include: 1) a dolt who goes home with a prostitute and finds that she is married to an old school chum; 2) a sodden playboy whose haymate, ample Antonella Lualdi, tumbles out of bed just in time to get dressed for her wedding; 3) an impatient Lothario who checks into a motel and seduces the chambermaid while his peevish girl friend waits in the car; 4) a barkeep who saves carfare by hitching a ride home every night with a car-couching whore, hops out at his front door feeling cheap but chaste...

Author: /time Magazine | Title: Cinema: Roamin' Holiday | 10/16/1964 | See Source »

...waiters hired for the revels is Hero Renato Salvatori, who abruptly exclaims: "What a house-lonely, sad, mean and rotten!" Salvatori heads home to Milan, only to find more moral chaos. Jean Sorel is so alienated that he goes to a party and seduces his own wife, luscious Antonella Lualdi, who clearly prefers Host Louis Jourdan. But Jourdan prefers a young man called Bruno, Salvatori's friend. Then, trying to get his mother out of the poorhouse, Salvatori meets a kindly, supposititious priest whose ramshackle home turns out to be a haven for prostitutes and transvestites. This last illusory...

Author: /time Magazine | Title: Cinema: Malaise | 6/5/1964 | See Source »

...while there is a marvelous incoherence to it all. The slobs and the ridiculously gorgeous girls they collect (Elsa Martinelli, Antonella Lualdi, Anna Maria Ferrero, Mylene Demongeot, Rosanna Schiaffino) flee through the city in a frantic chase sequence, with nothing after them except howling boredom. They start a fight, steal some money, drive somewhere, wreck a bar, help some urchins steal an airplane wing for scrap, impulsively bleed for a blood bank. Eventually the loafer who winds up with the money bribes a headwaiter to open an expensive restaurant after quitting time, and grandly blows a casual acquaintance...

Author: /time Magazine | Title: Cinema: Dead-End Bambini | 2/9/1962 | See Source »

Rouge et Noir. The edge of Stendhal's satire dulled by sentiment, but all the same a good movie from a great novel; with Gérard Philipe, Danielle Darrieux, Antonella Lualdi (TIME...

Author: /time Magazine | Title: Cinema: CURRENT & CHOICE, Jul. 14, 1958 | 7/14/1958 | See Source »

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