Word: lubovitch
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Dates: during 1990-1999
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...second piece was "Fandango," choreographed by Lar Lubovitch in 1990. Set to Maurice Ravel's Bolero, this piece was a dance for two, performed by Elizabeth Roxas and Leonard Meek. Clad in black midriff shirts and black tights ending in bare feet, they began with their arms and bodies connected and for the duration of the piece they were never separated for more then a few seconds. The choreography moved from simple embraces to lifts and complicated intertwingings of the two bodies that at times was sensual and erotic. The energy between the two dancers, as they rolled, turned...
Moving to New York City in 1976, he whirled through a quick succession of jobs with such big-name choreographers as Eliot Feld, Lar Lubovitch, Laura Dean and Hannah Kahn. "I didn't have a giant attention span," he says, explaining why he was so peripatetic. But that was only part of the reason. "Modern dancers are not trained to do anything but follow directions," says Erin Matthiessen, his former lover; Morris met him when they both danced in the Dean company. "Mark thought for himself." Too often, he thought aloud, arguing with the choreographers, making unwanted suggestions...
...shown an affinity for classical movement. It could be a dream linking. Baryshnikov, however, doesn't think a White Oak Company is in the cards. Speaking of dancers in the group, he says, "We're a group of company leavers. Kate Johnson left Paul Taylor, Rob Besserer left Lar Lubovitch, others left Boston Ballet." Nevertheless, if the fall outings are successful, the group will tour in the spring of 1991, perhaps including Europe...