Word: luc
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Dates: during 1960-1969
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...LIFE TO LIVE. A young wife turned prostitute seeks her salvation in the pursuit of pleasure, a racy theme developed with unblemished artistry by French Director Jean-Luc Godard, maker of Breathless...
...stopped outside the offices of the Philips record company in Brussels, and two nuns got out. Inside, the older one did all the talking. "You see, we have these retreats for young girls at our Fichermont monastery, and in the evenings we sing songs composed by Sister Luc-Gabrielle here." She gestured at her round-faced, bespectacled companion. "The songs are such a hit with our girls, they ask us to transcribe them." Would the company make a record and a hundred or so copies, which the sisters could give as gifts? The sisters were ready to pay. Sorry, said...
Slipstream. Three months later, the nuns tried phoning. Would the company make the records now? Philips gave in, and Sister Luc-Gabrielle arrived with a new guitar and a chorus of four, habited in black and white. During recording sessions, Sister Luc-Gabrielle made little nunnish jokes to ease the strain, and at lunchtime all five sisters would repair to a nearby monastery for prayer and refreshment...
...LIFE TO LIVE. French Director Jean-Luc Godard (Breathless) turns a camera full of love and artistry upon his wife (Anna Karina), who, in a dozen impeccably filmed episodes, depicts the oddly satisfying salvation of a woman who leaves home and hearth for harlotry...
...LIFE TO LIVE. In his fourth film, the first to reach the U.S. since Breathless, French Director Jean-Luc Godard has compiled another dazzling textbook of cinema technique, and has composed a lyric poem of images about a woman who sells her body and saves her soul...