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Word: luc (lookup in dictionary) (lookup stats)
Dates: during 1970-1979
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Usage:

Grapelli's sound, his swing, is unmistakable. He can play exactly as he did in 1934. He has also recorded some modern works with Jean-Luc Ponty. And he has even recorded with Yehudi Menuhin. He will play his versatile violin tomorrow night with the Diz Disley trio at the Berklee Performance Center...

Author: By Scott A. Kripke, | Title: No Drowning in the Mainstream | 3/9/1978 | See Source »

...Elliman is at Paul's Mall Friday thru Sunday. She was a star member of the original cast of "Jesus Christ Superstar." She sings. Yvonne is followed next week (Feb. 21-23) by Ramsey Lewis. Noel Pointer is at the Workshop tonight thru Sunday night. If you like Jean-Luc Ponty, you will probably like Pointer's more progressively oriented jazz violin style...

Author: By Scott A. Kripke, | Title: Hot Jazz on the Cob and an Outside Drummer | 2/16/1978 | See Source »

Comment Ca Va. A new film by Jean-Luc Godard, with Fortini/Cani, by Jean Marie Straub and Daniel Huillet, in program presented by the Cahiers du Cinema, beginning Saturday at 7 in Science Center...

Author: NO WRITER ATTRIBUTED | Title: FILM | 11/3/1977 | See Source »

...produce a troubling psychological portrait of a British couple whose marriage goes to pieces during a vacation trip to Naples. (It is more likely that the break-up between Ingrid Bergman and George Sanders is largely based on Rosselini's own ll-fated romance with Bergman.) French director Jean-Luc Godard said about it, "there are five or six films in the history of the cinema which one wants to review simply by saying 'It is the most beautiful of film,' why say more, in effect, about...Voyage to Italy?" Why, indeed...

Author: NO WRITER ATTRIBUTED | Title: Cold War and Cold Blood | 10/13/1977 | See Source »

...HAVE SEEN the future," French director Jean-Luc Godard seems to say in his latest film, Numero Deux (Number Two), "and it stifles." Like so many firebrand prophets of imminent revolution in the '60s, Godard is now wrestling with this decade's disillusionment. Ten years ago, with films like Weekend and Pierrot Le Fou. Godard became renowned and revered as the most blatantly political, and radical, of the French "new wave directors." His movies shocked and stirred with bitter anti-capitalist and anti-bourgeois visual polemics. But just as Godard was then trying to translate radical ideology onto the screen...

Author: By Mark T. Whitaker, | Title: From 'Breathless' to Aimless. | 9/30/1977 | See Source »

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