Word: luc
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Dates: during 1970-1979
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...COUNTER cutting-edges of creative forces defining film essence, Stan Brakhage and Jean-Luc Godard have catalyzed complementary film movements. While Godard has brought to bear the history of abstract intellection in vivisecting the codes and conventions of bourgeois narrative film-making, Stan Brakhage has trans substantiated the history of abstract expressionism in creating an answer to the basic question "What is cinema?" Although academic film communities have identified with the analytical "specular text" -- the examining, form-destroying discourses -- of Godard and sentimentally embraced the "naive texts" of nostalgic cultural mythology, for example formula movies of unrestricted genres, Brakhage...
...Umbrellas of Cherbourg, 7:30, Agnes Varda, Le Bonheur, 9:30. May 14: Eric Rohmer, La Collectionneuse, 7:30, My Night at Maud's, 9:30. May 15: Phillipe De Broca, Cartouche, with Claudia Cardinale and Jean-Paul Belmondo, 7:30, Love Game, 9:30. May 16: Jean-Luc Godard, Breathless, 7:30, Contempt, 9:30. $2 per night, $1 per film, series ticket $10 for 10 events at Holyoke Center Ticket Office...
...reach some small amount of insight into the ultimate fallacy of his position. The government has captured some Tupamaros and thus refuses to release their political prisoners in exchange for Santore. The Tupamaros decide that Santore, as most responsible, is to be executed. One of them, Este (Jean-Luc Bideau), explains the situation to Santore. They talk it through. Santore, thinking as a professional policeman, admits that if he were in charge, he would allow himself (as prisoner) to be killed. Este asks him, "Do you mean you're more valuable to them dead than alive?" He can only...
HARVARD EPWORTH CHURCH. "One Week" by Buster Keaton, "Bondu Saved from Drowning" by Jean Renoir, March 1, 7:30, $1, Far From Vietnam, edited by Chris Marker from footage given to him by Jean-Luc Godard, Alain Renais, Agnes Varda, Joris Iven, and other, March 4, 7:30, free-sponsored by Institute of Politics. "The Boat" by Buster Keaton (1921), "Toni," by Jean Renoir (1935), March...
...Savior. Jean-Luc Godard considers the film the beginning of his deep political involvement in issues of production and class struggle. Whatever concrete ideas he may hold, however, are lost in the groping opacity of the experimental style that controls the film...