Word: luc
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Dates: during 1990-1999
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...understand the import of filmmaker Jean-Luc Godard, one should simply read the first three letters of his last name. And this fall, the Brattle Theatre may be the place for reverence with its Forever Godard retrospective...
This scene, from Jean-Luc Godard's poignant, invigorating For Ever Mozart, lasts only a few seconds--yet it serves as a surreal image, a joke and a requiem. After 40 years, Godard can still astonish and amuse in the cinematic shorthand he virtually created. Now two of his films, both about moviemaking, are on view: the 1995 For Ever Mozart and Contempt, his 1963 meditation on sex, lies and celluloid, newly restored after long being out of theatrical circulation. So it's time to praise Godard for what he was and still...
...young Elvis "a terrific crooner who was closer, in intonation, vocal virtuosity and care for a song?s mood, to Bing Crosby than to any singer of the past 30 years. In that trap, as this set proves, he found triumph." CINEMA: "After 40 years," writes Corliss, "Jean-Luc Godard can still astonish and amuse in the cinematic shorthand he virtually created. Now two of his films, both about moviemaking, are on view: the 1995 'For Ever Mozart' and 'Contempt,' his 1963 meditation on sex, lies and celluloid." Both newly restored after long being out of theatrical circulation, ' the releases...
...political reasons, to win elections." Clinton aides consider the digs meanspirited, but their boss has a different take. According to a senior official, the President laughed at the comments, chalking them up to the intricacies of Canadian-Belgian relations. Seems that Chretien was speaking to Belgian Prime Minister JEAN-LUC DEHAENE. Belgians disdain French Canadians as bumpkins, Clinton explained, so Chretien was just trying to impress Dehaene with his toughness. Clinton later told reporters, "You gotta blow something like that off." His planned revenge: "To get even on the golf course...
...d?j? vu is to say nothing useful about it," says TIME's Richard Schickel. "For it is science fiction in the postmodern -- well, anyway, the post?'Blade Runner' -- mode. Its true subjects are art direction, special effects and the show-off panache with which its director and co-writer, Luc Besson, deploys them." Besson's energy and inventiveness are considerable and, up to a point, quite entertaining. Indeed, one could argue that his work offers a distinct kinetic improvement over classic sci-fi, generally a talky and static genre with its space voyagers forever standing around discussing whatever strange phenomena...