Word: luc
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...deux chevaux coughed and stalled, coughed and stalled all the way down the hill. I stopped at the bistro. Maybe he had seen the light and gone in to see his friends from the town. I hoped he was there where it was bright and warm. Jean-Luc answered first when I called into the smoky room for Francois. "He's not here, but I saw him head for the seawall about half an hour ago. Give me the keys, I'll help you look...
When Jean-Luc took the car, the headlamps blinked out in the fog about ten feet from where I stood. Jean-Luc would drive out onto the beach and perhaps the light would do him some little good there. I thought of all the places Francois could...
...into the reeds on the high ground past the town. Francois could not have heard my call even if he had been there. The sea was beaten right up to the foot of the wall. Its noise was deafening. I started back to the house, knowing that Jean-Luc would be there with the car: There was no longer any beach for him to drive along...
...deux chevaux was there, and Jean-Luc, but Francois was not. When Jean-Luc saw me returning alone, his face tightened. He remembered, I suppose, someone he had once pulled out from the next morning's ebb. I remembered, too. "Call the police," I said. He went for the phone. I went down the crooked steps to the chapel behind the house for a moment's rest before they came...
...next door they're pushing something about how people in high places aren't all they seem to be called The Werewolf of Washington. Louis Malle's Calcutta, shot at the same time as the Phantom India series (now on tv, incidentally), is at the Central along with Jean Luc Godard's Le Gai Savoir. Two more different political films would be hard to imagine, yet both apply New Wave ideas of using the camera as pen. Malle treats the masses of Calcutta with touch of a journalist more interested in shocking than explaining. Godard's effort is billed...