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...with U. S. distribution (Columbia) ever in mind-the production won an Academy Award last week for the Best Foreign ( sic ) Film of 1971. Which is a pretty good tip-off that no matter how "controversial" its politics, this pictures poses no political threat to anybody's system. Jean-Luc Godard recently said: "If movie makers were building airplanes, there would be an accident every time one took off. But in the movies, these accidents are called Oscars." Instead of meditating/postulating/lauding on the Artist's manifold intentions, et cetera, since his rudimentary competence is now established, perhaps we should...

Author: By Jim Crawford, | Title: Exploitation Movies Investigation of a Citizen Above Suspicion | 4/23/1971 | See Source »

...Images: Solanas develops social contradictions by means fundamentally different from those of the other major theorists of the militant cinema, Jean-Luc Godard, who phrases this problem as the necessity to build simple, anti-realist images in order to build a purely dialectical and coherent political analysis. La Hora de los Hornos builds its dialectic in the editing of "found" images, pre-existing appearances (documentary footage, his own and that of others, also stills, paintings, commercials, etc.) that expose contradiction by their relation to each other...

Author: By Fernando Solanas, | Title: A Film Essay on Violence and Liberation La Hora de los Hornos | 4/16/1971 | See Source »

...life, though ordinary enough, seems to haunt me-in uncommon ways. It seems to come to me-from somewhere else. Someone. And I've been trying to understand it; but it seems that I can't get it. So: the noted French wit Jean-Luc Godard said: "What is film? Film is Truth-twenty-four-times-a-second." So I thought that if I put it all down on film, and I put my thumb on it and I run it back and forth ... And I stop it when I want to, then I got everything...

Author: By Martin H. Kaplan, | Title: The Dull and the Zippy David Holzman's Diary at Lowell Dining Hall, 8 p.m. Saturday and Dunster Dining Hall, 8 p.m. Sunday | 2/19/1971 | See Source »

Societies no longer paste posters in the Square, and no giant moneymakers -like Jean-Luc Godard's Sympathy for the Devil shown by the Lowel Film Society last year-were screened during the past term. Because Harvey had not complained this year, news of the agreement surprised most people...

Author: By Arthur H. Lubow, | Title: King Kong Won't Be in Houses This Term | 2/8/1971 | See Source »

...Montmartre printing plant once each fortnight. There they seize and confiscate every issue of La Cause they can find. But the sly old iconoclast long ago found a secret printing press to publish about 5,000 copies. On publication day, Sartre and a few friends (including Film Directors Jean-Luc Godard and Louis Malle, and his longtime companion, Simone de Beauvoir) pick up the papers, transport them to a side street near St.-Germain-des-Prés, and begin to peddle them. Then the police arrest everyone giving away, selling or reading the paper. Everyone, that is, except prominent...

Author: /time Magazine | Title: The Press: Print, and Be Seized | 11/16/1970 | See Source »

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