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Lucas is not alone in wondering if the $115 million film on the screen will be able to top the spectacle outside; one imagines rampant ticket scalping, if not pitched light-saber battles. Can Lucas keep his huge, devout constituency awed while gently reminding them that it's only a...

Author: /time Magazine | Title: Cinema: Ready, Set, Glow! | 4/26/1999 | See Source »

All right, any auteur can replay his greatest hits, exploiting even the youngest viewer's need for nostalgia. And, indeed, Episode 1 will display the old Lucas touches, many of them dating back not just to the trilogy of Star Wars, The Empire Strikes Back and Return of the Jedi...

Author: /time Magazine | Title: Cinema: Ready, Set, Glow! | 4/26/1999 | See Source »

That's one way to start telling the story. Here is another: One day in November 1994, George Lucas dropped his three adopted kids off at school. He came home, climbed the stairs to his study, got a pad of yellow ruled paper and a box of Ticonderoga No. 2...

Author: /time Magazine | Title: Cinema: Ready, Set, Glow! | 4/26/1999 | See Source »

In early 1996, Lucas invited a few trusted souls from Industrial Light & Magic, his 14-Oscar-winning special-effects unit, up to his Skywalker Ranch, north of San Francisco, and showed them 3,500 storyboards for the new film. Battle scenes, racing scenes, parades--all with thousands of characters in...

Author: /time Magazine | Title: Cinema: Ready, Set, Glow! | 4/26/1999 | See Source »

Making the original Star Wars trilogy, Lucas was forever frustrated that existing technology could not translate all his notions into compelling, realistic imagery. Today the whole palette of digital technology is much more subtle and supple; if you can dream it, you can see it. And you can play with...

Author: /time Magazine | Title: Cinema: Ready, Set, Glow! | 4/26/1999 | See Source »

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