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So where does Lucas stand in this political polemic? "I'm more on the liberal side of things," he says. "I grew up in San Francisco in the '60s, and my positions are sort of shaped by that...If you look back 30 years ago, there were certain issues with...

Author: /time Magazine | Title: Dark Victory | 4/29/2002 | See Source »

In Clones, Lucas goes a way toward answering that question. "That's the issue that I've been exploring: How did the Republic turn into the Empire? That's paralleled with: How did Anakin turn into Darth Vader? How does a good person go bad, and how does a democracy...

Author: /time Magazine | Title: Dark Victory | 4/29/2002 | See Source »

Lucas describes the Empire as if it were the oppressive, white-on-white Formica fascism of his first feature, the boldly bleak THX 1138. Back in 1970, Lucas and his mentor, Francis Ford Coppola, were in the vanguard of the Film Generation. They were film-school grads who hoped to...

Author: /time Magazine | Title: Dark Victory | 4/29/2002 | See Source »

Yet it is a truism about American directors: you become who you were. Coppola, the former theater director and son of a classical musician, took the arty road, making operatic, actor-centric films that sometimes (The Godfather, Apocalypse Now) found large audiences. Lucas, who had written a third-grade theme...

Author: /time Magazine | Title: Dark Victory | 4/29/2002 | See Source »

Kids watching the new Star Wars films may think movies were always like this, because so many are like them now. But Lucas' first Jedi epic was, in its way, revolutionary. It established sci-fi as a hot genre and teen boys as an audience that made hits by buying...

Author: /time Magazine | Title: Dark Victory | 4/29/2002 | See Source »

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