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...Timbuktu and, in 2000, for The Wild Party); but she didn't become the Broadway magnet she should have been. In the late '50s she had featured roles in The Mark of the Hawk, with Poitier, and St. Louis Blues, with Nat "King" Cole, and the lead in Anna Lucasta, a daring B film with Sammy Davis Jr. She cut a powerful figure in all these films, but they were small pictures that didn't lead to strong roles in Hollywood's top-line productions. As for the Catwoman gig, Kitt appeared in only three episodes. And before she could...

Author: /time Magazine | Title: Eartha Kitt, 1927-2008: The Original Material Girl | 12/26/2008 | See Source »

Fortunately. Bronston's bust enjoys one solid virtue: a script precisely organized and competently prosed by Playwright Philip (Anna Lucasta) Yordan. who has often quite sensitively reconciled the grandeurs of the King James version with the need for a fresh, contemporary tone. After noisily establishing the Romans in Palestine. Scenarist Yordan moves swiftly and synoptically through the Gospels: The Nativity, The Flight into Egypt. The Massacre of the Innocents; Christ's boyhood, baptism and temptation in the desert; Salome's Dance and the murder of John the Baptist; the Sermon on the Mount, the triumphal procession...

Author: /time Magazine | Title: Cinema: $ign of the Cross | 10/27/1961 | See Source »

Divorced. Sammy Davis Jr., 33, supercharged Negro entertainer, cinemactor (Anna Lucasta) and Broadway star (Mr. Wonderful); by Loray White Davis, 24. nightclub singer; after 15 months of marriage, no children; in Las Vegas...

Author: /time Magazine | Title: Milestones, may 4, 1959 | 5/4/1959 | See Source »

...Anna Lucasta (Longridge; United Artists), in the course of its on-again, off-again success story, has suffered more color changes than a traffic light. As first written, back in 1936, Anna was a backstreets melodrama in which Playwright Philip Yordan rummaged among some white trash in a small town. The principal characters were poor Poles, and the heroine was described by one playgoer as "a sort of squarehead Camille." When the play, as written, failed to get a Broadway opening, Playwright Yordan remaindered the rights to the American Negro Theater. The white trash became black trash, and caught fire...

Author: /time Magazine | Title: Cinema: The New Pictures, Jan. 26, 1959 | 1/26/1959 | See Source »

...were refused it when they arrived and the landlady saw the color of their skin. A tenant of an expensive Park Lane apartment arranged to sublet it to the young, Cambridge-educated Kabaka of Buganda, then was refused permission by the apartment owner. The Negro players of Anna Lucasta and Porgy and Bess had no trouble obtaining rooms in the best hotels. But when they settled down to a long run and tried to get apartments, they reported refusals and excuses. A frequent one: "Of course, I don't have any prejudice myself, but we have American tenants here...

Author: /time Magazine | Title: GREAT BRITAIN: The Color Bar | 12/27/1954 | See Source »

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