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ROCCO AND HIS BROTHERS. The third important film produced by the Italian rinascinemento (cinema renaissance) of 1960-61. Director Luchino Visconti's monumental (2 hr. 29 min.) investigation of what happens (rape, murder, homosexuality) to a poor family when it moves from a village to Milan...

Author: /time Magazine | Title: Cinema: THE BEST PICTURES OF 1961 | 12/29/1961 | See Source »

...complex, human statement that goes beyond vignette or myth to the difficult realm of life. Occasionally marred by over-emphasized symbolism and over-played brutality, Rocco subjects one to the ordeals of its creator, and in so doing escapes the usual pitfalls of social realism. It is as if Luchino Visconti (who wrote and directed) were, in one grueling gasp, saying "No, not all poor people are victimized saints; not all city life; yes, tragedy results from human weakness and conflicting desires, including the desire to hurt others...

Author: By Walter L. Goldfrank, | Title: Rocco and His Brothers | 11/9/1961 | See Source »

...Marceau; Astor) is an interminable, sprawling, jerkily cut and overpraised melodrama (winner of 22 awards including the Venice Film Festival top prize for 1960) about the troubles of a peasant mother and her five sons who migrate to Milan from a farming village in southern Italy. Its director is Luchino Visconti, a film-struck Roman aristocrat currently revered as one of the triumvirate-along with Federico Fellini (La Strada, La Dolce Vita) and Michelangelo Antonioni (L'Avventura)-which has brought Italian film making out of its mid-fifties doldrums...

Author: /time Magazine | Title: Cinema: Blood & Brother Love | 7/21/1961 | See Source »

...Composer Gian Carlo Menotti's Festival of Two Worlds had come some of the freshest talent of the U.S. and Europe: Choreographers Jerome Robbins and John Butler, Conductor Thomas Schippers, Painters Ben Shahn and Saul Steinberg, Stage Director Luchino Visconti. The biggest eye opener of the festival so far was an irreverent band of youngsters in sweatshirts and sneakers imported by Choreographer Robbins to give Italians a bracing sample of modern ballet...

Author: /time Magazine | Title: Music: Shangri-La for Artists | 6/23/1958 | See Source »

...affair. First Police Inspector Enrico Morazzini confirmed what he wrote to the court some days ago. Judge Maroni interrupted: "There is no need to read it out. The description of the tortures is too horrible for decent people to hear." Then it was the turn of Cinema Producer Count Luchino, Visconti di Modrone, a witness for the defense...

Author: /time Magazine | Title: ITALY: Justice | 6/25/1945 | See Source »

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