Word: luchino
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...rock 'n' roll. Two films were instrumental in breaking the barrier: Dennis Hopper's Easy Rider (1969), with its hippie rock, and Martin Scorsese's Mean Streets (1973), in which the urban raunch of the Rolling Stones and the Ronettes was used the same way Luchino Visconti used opera...
...film dispenses with the machismo verismo of Luchino Visconti's 1942 Ossessione and the platinum-blinded glitz of the 1946 version starring John Garfield and Lana Turner to concentrate on a purposefully paced retelling of Cain's story. It means to calibrate every movement in the desperate mating dance of Frank and Cora, "these unspeakably stupid, very simple people, filled with guile and tenderness." That is Director Rafelson's phrase, spoken without contempt for his characters but with an understanding of their selfish, consuming needs. Though Nick's café is just a short drive from...
...general manager, who offered her a contract for two starring roles. Inexplicably, she turned him down. Her refusal started the soprano off on a long, wearing odyssey. On the way she studied the subtleties of her art with great teachers like Conductor Tullio Serafin and learned stagecraft from Luchino Visconti, whom she deeply loved...
...settled in Hollywood, and though his output slowed, his later films included such acclaimed works as The Southerner (1945), and The River (1950), filmed in India. A singularly congenial, humane man whose work greatly influenced the New Wave directors of the 1950s (including Truffaut and Godard) and onetime Apprentices Luchino Visconti and Satyajit Ray, Renoir considered himself primarily a storyteller, always filming his special kind of tale. "I am interested in what happens to people," he once explained, "when they must adapt to a new world...
...Innocent is a beautifully made melodrama, whose elaborate and operatic moral dilemmas turn on issues that are curiosities today. It is the last film of the late director Luchino Visconti (The Damned, Death in Venice). The Innocent is taken from an 1892 novel by the flamboyant poet and adventurer Gabriele D'Annunzio. Not surprisingly, it is the tortured sensibility of the hero, Tullio, a wealthy, thirtyish landowner, that gets most of the attention. Tullio, played with exactly the right touch of smoldering arrogance by Giancarlo Giannini, Lina Wertmuller's man of all movies, has long since transferred...