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...gloomy house; one locked room was haunted. To this unlikely refuge came Katherine, an unwanted sister-in-law, with her baby daughter Mary, because she had nowhere else to go. Phoebe, taciturn bully of the household, hated Katherine because she could not bully her. Milly, the prying gossip and Lucia and Emma, the ineffectual twins kept a frightened neutrality. Katherine soon died, but with her last breath warned the sisters to be kind to Mary, or else?. Sinister old Phoebe transferred her hatred of the mother to the child. The other old maids, in powerless horror, thought they were about...

Author: /time Magazine | Title: Books: Jamesian Ghosts | 10/12/1931 | See Source »

...Discipline has suffered many a rude shock. There was the disgraceful affair off Malta in 1928 when Rear Admiral Bernard St. George Collard was compulsorily retired for shameful conduct, such as insulting Bandmaster Percy Barnacle (TIME, March 6, 1928 et seq.). Last January the crew of the submarine tender Lucia mutinied on a rumor that their Christmas leave was to be cancelled and that they were to paint ship on Sunday (TIME, Jan. 19). All papers last week harked back to the great mutiny of 1797 when the underpaid, scurvy-ridden crews off Spithead and off the Nore turned...

Author: /time Magazine | Title: Foreign News: Sailors & Fairy Belles | 9/28/1931 | See Source »

People everywhere have heard Nellie Melba sing "Home Sweet Home," "Comin' Thro' the Rye," Tosti's "Goodbye." Opera crowds have seen her as Mimi in La Bohème, Violetta in La Traviata, Marguerite in Faust, Gilda in Rigoletto, Lucia, Juliette. The pure and springlike quality of her voice established her as Patti's greatest successor. It lasted her well through middle age because she used it so intelligently, won her triumphs for 40 years. Melba's life was as glamorous as the prima donna of fiction. She made her American debut at the Metropolitan in 1893 five days after famed...

Author: /time Magazine | Title: Music: Friendly Split | 3/2/1931 | See Source »

...ballet L'Amour Sorcier, Pelléas et Mélisande, Die Walküre, Don Giovanni, The Masked Ball, Tristan und Isolde, Aïda, La Navar-raise and Le Jongleur de Notre Dame, Tannhäuser, Otello, Forrest's Camille, The Bartered Bride, Lucia di Lammermoor...

Author: /time Magazine | Title: Music: Chicago Opera Tour | 2/2/1931 | See Source »

...became high-handed nevertheless, refused advice, in three years was out of the Metropolitan. Coloratura Pons has yet to prove herself. But on the night of her debut after she had been in bed a half an hour she called to her husband: "Bring me the score of Lucia. I must see if I cannot sing it better...

Author: /time Magazine | Title: Music: Excitement at the Met | 1/19/1931 | See Source »

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