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Only in Britain is this Danish-British painter known, and only there is his influence felt. As a modern Realist, he energized younger British Modernists in the 1900s like Spencer Frederick Gore and Harold Gilman. You can still see his mark today, on the work of figurative artists like Lucian Freud, Frank Auerbach and even Francis Bacon. Sickert's "brown world" of rented rooms in Camden Town, with their plump, sweaty nudes, sprawled on iron bedsteads, dense and claustrophobic, runs into the younger painters', its solidly constructed Realism forming a bridge across the light turbulence of derivative avant- gardism...

Author: /time Magazine | Title: Art: Music Halls, Murder and Tabloid Pix | 1/25/1993 | See Source »

...this show had to be done -- and at a high level of curatorial skill -- in Indiana. No New York museum plans to take it; nor could Manhattan venues be found for Franz Kline, Guido Reni, early Poussin, De Stijl, Lucian Freud and quite a number of other splendid and informative exhibitions mounted by museums west of the Hudson in the past few years. There is something unpalatable about this, a dismal message about the provincial art politics of the supposed center...

Author: /time Magazine | Title: Art: Seeing The Far in the Near | 11/12/1990 | See Source »

Feigned compliance is the term used by Lucian Pye, a political scientist at the Massachusetts Institute of Technology, to describe such self-protective make-believe and the obedience it spawns. As a trait central to the Chinese character, feigned compliance has distinct Confucian roots, and Confucius is very much in vogue in China today. Not for that part of his philosophy that extols good-heartedness and broad-mindedness, but for his celebration of authority, hierarchy and anti-individualism. For the purposes of China's leaders, what counts is that Confucius presumed the ruler's right to rule...

Author: /time Magazine | Title: A Day in The Life . . . . . . Of China: Free to Fly Inside the Cage | 10/2/1989 | See Source »

Still to come this season are two formidable challenges for the Guthrie and its audience alike. One is Rumanian Director Lucian Pintilie's harrowing vision of Ibsen's The Wild Duck, stressing its social-class conflicts, first seen at Arena Stage in 1986. The other is the U.S. premiere of Pravda, a 1985 London hit about the takeover and corruption of serious news media by a tycoon whom critics likened to Rupert Murdoch. Wright is looking forward to them confidently. "Thanks to the long and rarefied history of the repertory at this theater," he says, "the audience is much better...

Author: /time Magazine | Title: Theater: Heartland Heartiness | 9/12/1988 | See Source »

Shakespeare's play is ultimately a comedy, and the cast clearly presents it as such. Harvard sophomore Lucian Wu, as the foppish Frenchman, Dr. Caius, and Frank Timmerman, as the effeminate Slender, bring much-needed comic relief to the bathetic love scenes between Page's daughter Anne (Joanne Lessner) and Fenton (Kenneth Goodwin). Slender and Caius, vain suitors for Anne's heart, hide in the foliage when the two lovers arrive on the scene. Timmeran with his engaging bug-eyed innocence lisps his way through his performance, while Wu resorts to more sword-flinging bravura...

Author: By Esther H. Won, | Title: Merry Anniversary | 3/17/1988 | See Source »

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