Word: lucidly
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...little dialogue and only spare interior monologue Jeremy Irons managed to capture and delineate every nuance of his character's brooding intensity. An equally superb performance is that of writer-director Skolimkowski. Conceived and completed in one month. Moonlighting shows a rare combination of white hot inspiration and totally lucid artistic control. Every scene, from the opening to the remarkable closing image is effective and forms a part of considered whole. The almost documentary like cinematography captures the dark visual textures and somber Irony of the story...
...blunt with Reagan even in private. He did not tell the President he had been wrong to impose the sanctions or, as the high-strung Alexander Haig might have done, threaten to quit if the policy was not reversed. Instead, he acted more like a reassuring but lucid tutor with Reagan. He knew that the President would not abandon his wish to punish the Soviets. Shultz's basic stance was that restrictions on the export of advanced Western technology to Moscow, if the ban had the support of all NATO allies, would far more effectively prick the Soviet economy...
...Night and Day, Jackson has toned down the music, but the message becomes more lucid. Jackson presents himself as an inspired and controlled artist. No longer does he seem to try to intimidate. A man of many guises, he now sometimes finds his ardent sentimentalism hard to suppress and discards his formerly steadfast bitterness. In Night and Day, Jackson has combined his many sides to produce his most entertaining, musically satisfying and emotionally gratifying work to date...
...speaking with the Queen. But later there no doubt that Hamlet is feigning madness--a topic of endless controversy over the generations. Gilbert (without collaboration from Sullivan) wrote a delightful burlesque of Hamlet in which Ophelia runs through a host of theories and concludes. "Hamlet is idiotically sane With lucid intervals of lunacy...
...brilliant mathematical mind with an expert musical ear, Boulez has been the chief theoretician of the postwar serialist movement. During his tenure as music director of the New York Philharmonic from 1971 to 1977, he introduced audiences to unfamiliar repertory by familiar composers like Liszt, and startled them with lucid, penetrating readings of standards like Debussy's La Mer. Under his baton the orchestra reached a level of technical precision that it had lacked for years under his predecessor, Leonard Bernstein. From 1976 to 1980, Boulez presided over the controversial Patrice Chéreau productions of Wagner...