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...group, the Armed Forces of National Liberation, has also carried out a campaign of bank heists and kidnapings, while the Spartacus Leninist League last year murdered Monterrey's industrial patriarch, Eugenic Garza Sada, 82. Yet a fourth group, the Party of the Poor, led by a former schoolteacher, Lucio Cabañas, operates from the rugged mountains of Guerrero State near Acapulco, where it is successfully eluding 10,000 army troops. None of the guerrilla groups are believed to number more than a few score members...

Author: /time Magazine | Title: MEXICO: State of Semi-Siege | 9/16/1974 | See Source »

Except for the Rodin, a Matisse crucifix and some early bas-reliefs by Lucio Fontana, there is hardly a sculpture worth preserving in the whole collection...

Author: /time Magazine | Title: Art: Labyrinth of Kitsch | 8/5/1974 | See Source »

David Rounds brings plenty of verve to the role of Lucio, the quick-witted, cynical, slanderous libertine who bridges the gap between the aristocracy and the rabble. Wyman Pendleton imbues the aging counselor Escalus with warmth. And Alvah Stanley, with axe, rope and chains, is properly intimidating as the executioner Abhorson--a unique name that Shakespeare fashioned, in the manner of the pivot-word so common in Japanese poetry, by fusing 'abhor' and 'whoreson...

Author: By Caldwell Titcomb, | Title: Philip Kerr Excels in 'Measure for Measure' | 7/2/1973 | See Source »

Even in relatively stable Mexico, a dozen or so terrorist organizations spasmodically stage bank holdups and political kidnapings. The government's campaign against the guerrillas was aided by the death of Guerrilla Leader Genaro Vásquez Rojas in an auto accident last February. But another leader, Lucio Cabañas, is still free somewhere in the remote Guerrero mountains. He is believed responsible for kidnaping the son of a wealthy coffee farmer last month...

Author: /time Magazine | Title: LATIN AMERICA: A State of Internal War | 4/24/1972 | See Source »

...Timothy Mayer has added gimmickry and faddistry, carefully avoiding the problem of how to clarify and dramatize the play's hard theological core. Putting the play and the characters in modern dress has its dividends. Angelo gets a laugh when he says "Call him hither" into an intercom, and Lucio gets one when he lights his cigarette with a votive lamp. In short, Mayer has filled his ample trickbag with modern props to use when things get slow, which is very often...

Author: By Timothy Crouse, | Title: Measure For Measure | 8/4/1967 | See Source »

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