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Word: lucke (lookup in dictionary) (lookup stats)
Dates: during 1940-1949
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Usage:

...only boy from a slum who got rich in the rackets: in his day the U.S. had become as much a land of opportunity for the graduate of Dannemora as for the graduate of Dartmouth. But Frank Costello had the brains, luck and jungle caution to stay rich-rich, alive and free as air-while Al Capone went raving to his grave, while bullets cut down Dutch Schultz and Dion O'Banion, while Lepke Buchalter burned in the electric chair, while Lucky Luciano went off to exile and a hundred minor hoodlums rotted in prison...

Author: /time Magazine | Title: MANNERS & MORALS: I Never Sold Any Bibles | 11/28/1949 | See Source »

...dole. Many islanders have no clothes except U.S. Army castoff shirts and dungarees. Okinawans may trade with the outside world only through military government, which means virtually not at all. The result has been a brisk smuggling exchange with Formosa. But even as smugglers, Okinawans are out of luck: they have little to barter except bits & pieces of equipment stolen from U.S. installations...

Author: /time Magazine | Title: OKINAWA: Forgotten Island | 11/28/1949 | See Source »

...must congratulate the Council for sponsoring this investigation, however absent-mindedly, and exhort it to do more of the same; one must admire Poskanzer and Wyant for taking the whole man as their province, and wish them luck in their undertaking...

Author: NO WRITER ATTRIBUTED | Title: The Whole Man | 11/16/1949 | See Source »

...Luck & Coordination. In a way, the Sadler's Wells company was blessed with luck. It had arrived in Manhattan at a time when the theater was at its lowest ebb since the war. The hits of last fortnight, Maxwell Anderson's and Kurt Weill's Lost in the Stars, and the Lunts in I Know My Love (see THEATER) had not yet opened. Sadler's Wells was the first smash of the 1949-50 entertainment season...

Author: /time Magazine | Title: Music: Coloratura on Tiptoe | 11/14/1949 | See Source »

...like most genuinely successful enterprises, Sadler's Wells had a lot more than luck. It had a hard-driving director in Ninette de Valois, a graduate of Serge Diaghilev's great Ballet Russe. It had a corps de ballet drilled down to the last pas de chat, an ensemble built on the theory that it is as important to have a well-coordinated team as a great star. To put on the great "white ballets"-the classics that England's Royal Opera House company has made its specialty-it had to have both. Says U.S. Choreographer George...

Author: /time Magazine | Title: Music: Coloratura on Tiptoe | 11/14/1949 | See Source »

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