Word: lucrezia
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...Died. Lucrezia Bori, 72, Spanish-born (as Lucrecia Borjay Gonzalez de Riancho) Metropolitan Opera lyric soprano who began her Met career singing with Caruso, gave tender feeling to the roles of Mimi and Violetta, was a Met favorite for 24 years before retiring in 1936 while at her peak ("I want to finish while I am still at my best"); of a cerebral hemorrhage; in Manhattan...
Duke Alfonso I d'Este of Ferrara and his wife, Lucrezia Borgia. Bellini had called on the young talent of Titian to help finish the great canvas. After Bellini's death in 1516, Titian-who became the new Venetian master-won the commission to paint three other large, allegorical paintings for the duke's Renaissance study. As an added service, Titian repainted sections of the Feast to make it accord with the more luxury-loving tastes of his time-and, incidentally, to accord more with his own oils...
Attempting to lend more dignity to beauty contests-an institution which the church has consistently opposed-the promoters of the Miss Italy contest at Rimini decided to put all entrants through a culture quiz. The results were disastrous. The beauties could not identify Hamlet, Lucrezia Borgia, or even Romulus and Remus (said one: "Greek twins''). None knew the boiling point of water, which in Italy is a simple 100°C. One was unable to name a single Italian wine-her brave try: "Champagne." Without congratulating the winner, Nives Zegna, 19, of Milan, the Vatican's eminent...
...timid new hotel chambermaid is warned to expect trouble from the countess, for Lucrezia Sanziani is dotty, penniless and old-a kind of walking Roman ruin. Fresh from Rome's Trastevere slums, Carmela, the young chambermaid, is prepared to quake at the countess' least whim. Instead, she finds herself cast as a confidante of yesteryear in the old lady's wandering mind. Each day, in the afterglow of the Roman twilight, the countess stares deeply into her Florentine silver-gilt hand mirror and conjures up a hallucinated remembrance of loves past...
...muscles restricted to less than full capabilities, the human voice became the slave of the restriction. Individuals once even went to such extremes as castration to break out,* but occasionally a voice comes along that needs no adjustment to make musical news: the thrilling voice of Soprano Lucrezia Agujari, which rose almost three octaves from middle D; the freak voice of the 19th century's Eugenia Mela, a woman who sang tenor; the incongruous bass voice of a three-year-old boy in Prague in 1936; and, more recently, the voice of Peruvian Yma Sumac, whose singing voice covers...