Word: lucyã
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...than Middle-Earth. In battle alongside these poorly animated beasts, the Pevensie children look awkward, not valiant. The obnoxious Hobbit-sized protagonists have even less acting talent than Elijah Wood and their performances are extremely grating—except for the adorable and honest young heroine, Lucy (Georgie Henley). Lucy??s moral fiber and goodness reflects the one element of Narnia that Adamson is able to translate to film: Lewis’s grounding in Christian theology, the philosophy of agape (ultimate sacrifice and love), and the mythos of Christ’s resurrection. The film teeters...
...When he arrives however, she doesn’t remember him; soon, he discovers that she has complete short-term memory loss. Obviously, he must woo her anew every day, often with the help of his animal coterie or his wacky friends like gay Polynesian Ula (Rob Schneider) and Lucy??s oddly lisping muscleman brother Doug (Sean Astin). The film comes equipped with the usual Sandlerian antics, but a special surprise ending partially redeems the general boorishness...
...between teaching her popular course “I Like Ike, but I Love Lucy?? and a sophomore seminar, Jardine is looking for a publisher for Booming, a new book about feminism in the 1950s...
...When he arrives however, she doesn’t remember him; soon, he discovers that she has complete short-term memory loss. Obviously, he must woo her anew every day, often with the help of his animal coterie or his wacky friends like gay Polynesian Ula (Rob Schneider) and Lucy??s oddly lisping muscleman brother Doug (Sean Astin). The film comes equipped with the usual Sandlerian antics, but a special surprise ending partially redeems the general boorishness...
...When he arrives however, she doesn’t remember him; soon, he discovers that she has complete short-term memory loss. Obviously, he must woo her anew every day, often with the help of his animal coterie or his wacky friends like gay Polynesian Ula (Rob Schneider) and Lucy??s oddly lisping muscleman brother Doug (Sean Astin). The film comes equipped with the usual Sandlerian antics, but a special surprise ending partially redeems the general boorishness...