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...LUIGI FERDINANDO TAGLIAVINI of the Conservatory of Bolzano, Italy will speak on "Early Italian Organs and Organ Music" in Room 2 of the Music Building...

Author: NO WRITER ATTRIBUTED | Title: WEEKLY CALENDAR | 10/14/1961 | See Source »

...whole truth and nothing but the truth. how often we hear these words, and how often people glibly swear to fulfil them! But can we ever determine truth that will be acceptable to everybody? No, said Luigi Pirandello...

Author: By Caldwell Titcomb, | Title: Right You Are If You Think You Are | 8/3/1961 | See Source »

...Burn the Museums!" Inspired by the Marinetti manifesto, a second appeared the next year signed by the painters Umberto Boccioni, Carlo Carrà, Luigi Russolo, Gino Severini and Giacomo Balla-futurism's big five. Among other things, it declared that THE NAME OF "MAD MAN" WITH WHICH IT IS ATTEMPTED TO GAG ALL INNOVATORS SHOULD BE LOOKED UPON AS A TITLE OF HONOR. The five themselves sounded a bit mad with anti-tradition slogans of "Burn the museums!" and "Drain the canals of Venice!" But their underlying purpose could not have been more serious. "We choose to concentrate...

Author: /time Magazine | Title: Art: The Intoxicated Five | 6/2/1961 | See Source »

Corbu was to suffer a further disappointment in 1952, when the UNESCO headquarters in Paris was placed in the hands of Hungarian-born Marcel Breuer of the U.S., Bernard Zehrfuss of France, and Pier Luigi Nervi of Italy. Despite all this, Corbu was in fact entering the richest phase of his career. Plans that had been locked in his mind for years began tumbling out like coins from a treasure chest. Now came the Marseille apartment block of raw concrete (béton brut), on which the marks of the form boards were left visible. The Society for the Preservation...

Author: /time Magazine | Title: Art: Corbu | 5/5/1961 | See Source »

What matters more than the number of speakers, of course, is what comes out of them. Says Luigi Dallapiccola, the patriarch of the Italian twelve-tone school: "They already have vast technique. What they lack is ideas. Technical equipment is not important. When Beethoven wrote his piano sonatas, he anticipated the Steinway piano." Certainly the public still seems to appreciate the human touch. The biggest personal hit at Venice was U.S. Composer William Smith, a member of the original Dave Brubeck Octet. While his eight-minute electronic Improvisation, replete with amplified clarinet key clicks, breath noises, and echo chamber effects...

Author: /time Magazine | Title: Music: B-z-z! Br-a-ang! Br-a-ack! | 4/21/1961 | See Source »

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