Word: luisa
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Dates: during 2000-2009
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Only Cotillard, as Guido's long-suffering wife Luisa, is in command of her character whether she's singing, speaking or just staring darts at her philandering mate. Pain rarely seemed so proud, or hurt so regal, as in Cotillard's rendition of the melancholic rhapsody "My Husband Makes Movies." There, a lovely scene when the ex-actress Luisa, while watching screen tests Guido has made for his new project, sees him lavishing exactly the same attention on a new girl that he did on her when she was just starting in pictures; the kind words and gestures she thought...
...been such a tremendous organization of support who have been so wonderful in coming to our shows and being behind us. It was lovely to get this prize.” A college-long member of the Harvard-Radcliffe Dramatic Club, she recently starred as Luisa Contini in the New College Theatre production of “Nine” and as Mrs. Lovett in last year’s Loeb Mainstage performance of “Sweeny Todd.” Of all her roles, Flynn cherishes this one the most. “It was an incredible experience...
...been on the lam since escaping federal prison in 2001. As Forbes senior editor Luisa Kroll told The Times of London: "He is not available for interviews, but his financial situation is doing quite well." But while he's not the first narco-kingpin to make the list (that dubious honor went to Colombian cocaine czar Pablo Escobar in 1989), Guzman's inclusion has rankled more than a few readers. As one commenter wrote on Forbes.com: "Since you have started glorifying drug lords and letting younger people see them as 'Billionaires,' this will be my last article...
...male among a cast of women, Jonah C. Priour ’09 played an excellent Contini, portraying both pathetic midlife desperation and creative obsession all in a convincingly Italian accent. Attempting to take his mind off his troubles, Contini checks into a posh Venetian spa with his wife Luisa, but his worries persist. Refusing to confront his failing marriage and mired in artistic self-pity, he fantasizes about the other women in his life—his mistress Carla, his muse Claudia, the prostitute Sarraghina who taught him how to “Be Italian...
...don’t want to break any traditions—we want to innovate the traditions,” says Maria Luisa F. Mansfield of the Institute for Urban Development, who acts as a bridge between the Harvard Ceramics Program and Casas de la Esperanza...