Word: luisa
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...during the Loeb production, he charted fourteen "good" traits, which read like the Boy Scout Oath, and one fault (she lost he temper readily). Brecht's failure to elevate Grusha above generic goodness is particularly telling since he conceived the play in order to write a special part for Luisa Rainer, an expatriate German actress. His failure exemplifies the weakness invariably cited by the Communist critics: Brecht could create noble agitators and good proletarians, but never a flesh-and-blood working class character...
...County's fertile fields, picked beans, carrots, tomatoes and onions. But their children had a different job. After breakfasting on Coca Cola, the youngsters boarded a bus for school in Fort Lupton, where they listened intently to a second-grade teacher: "Armando, get me the cup-cup-cup. Luisa, pick up the plate-plate-plate." In the fifth-grade room, a shy girl of twelve whispered in Spanish: "I want to be a teacher someday. A fifth-grade teacher." After paying 13? apiece, the youngsters downed a hefty lunch, wrapped seconds in paper napkins to take home. Each child...
Beulah Goren did Giovanni's wife, Luisa, somewhat nuttier than necessary, it seemed to me; one should be able to identify strongly with Luisa as a woman whose horror at the senselessness of her son's death has driven her near the brink of insanity--Miss Goren seemed to have tottered over long ago, however, and was therefore merely grotesque. John Kennedy's Tomaso needs to come alive, Carroll Britch's Nicola to die down...
...Roof, they live like animals. When Natale (Giorgio Listuzzi), a $1.50-a-day hod carrier, marries Luisa (Gabriella Pallotti), he takes her home to a two-room apartment owned by his brother-in-law and already occupied by four adults and three children. The newlyweds manage to fit their bed into a corner of the smaller room which they share with Natale's parents and his sister, who turns out to be a peeping tomboy. Some nights, just to get a little privacy, the honeymooners sneak out and make love in the side yard. In this human hutch-with...
...soon realizes what a fool he has been: Luisa is pregnant, and they have nowhere to go. In desperation, Natale decides to build one of the "abusive dwellings"-one-room squatter shacks-that spring up overnight on empty lots in Rome, and may not legally be torn down if they have a door and a roof by the time the police arrive in the morning. The rest of the picture describes the young couple's struggle to acquire by criminal conspiracy what De Sica obviously feels to be theirs by natural right: a roof over their heads...