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Word: lulu (lookup in dictionary) (lookup stats)
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Others recall a sweeter side. Lulu Washington sells discount candy out of her house, just across from Yummy's. "He just wanted love," she says. For that, he could be disarmingly kind. "He'd say thank you, excuse me, pardon me." He loved animals and basketball and had a way with bicycles. He once even merged two bikes into a single, working tandem. Those were the good times. "It always meant trouble when he was with a group," says Ollie Jones- Edwards, 54. "If he was alone, he was sweet as jelly...

Author: /time Magazine | Title: CRIME: Murder In Miniature | 9/19/1994 | See Source »

...film goes on to detail gay life during the `70s in San Francisco, referred to by one man as "Babylon," an orgy of sex, alcohol, drugs, and disco music. One of the men says that, "there was a man behind every tree, every rock." In discussing the bath houses, Lulu, described as a "single housewife," recalls being scared and feeling like he was in "a heavy-metal nightmare...

Author: By Joel Villasenor-ruiz, | Title: `Sex Is...' Appealing | 2/17/1994 | See Source »

Michael's and the 1369 are just two of the clubs that have closed down in the past decade, along with such other Boston area mainstays as Paul's Mall, Debbie's and Lulu White...

Author: NO WRITER ATTRIBUTED | Title: Garzone is now | 2/3/1994 | See Source »

...Untold Story, concentrates on Norma Jean's notorious love life, tracing her downward spiral to a drug- induced death in 1962. Soprano Kathryn Gamberoni gives a breakthrough performance as Monroe: after this, companies should be lining up to offer her femmes fatales from Bellini's Norma to Berg's Lulu. The opera, however, is as much of a mess as Marilyn was. Rosten's lines (Marilyn to her half-sister: "How's your little dog Lollie, the one with six toes?") are frequently ludicrous, especially when sung to Laderman's plodding, semitonal noodlings. And the decision to make Monroe...

Author: /time Magazine | Title: Marilyn Monroe At the Opera | 10/18/1993 | See Source »

Leland criticizes Jesse Cohen for not conforming to her idea, as well as Baraka's description, of what Lula (not Lulu, as appears in the review) should be. This is indeed a valid criticism, and I, as director, made a conscious decision in casting Cohen, precisely because I believed she best fit the Lula of my vision of the play I wanted to put on. But Leland doesn't criticize me for a casting error, if she believes it to be such, but instead, launches into a fairly vicious personal attack on Cohen for not being a thirty year...

Author: NO WRITER ATTRIBUTED | Title: Dutchman Review Amateurish | 11/12/1992 | See Source »

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