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During rehearsals there had been more excitement than usual among the stagehands at the Metropolitan Opera. Alban Berg's classic 20th century opera Lulu was being mounted for the first time in the company's history, but that was not it: to stagehands one opera is as memorable as another. What held their eyes was a makeshift dressing room right behind the sets. No wonder. The star of the show would regularly dash into it for a series of quick costume changes, some of her garments being scantier than others. As the opening-night audience soon learned, Soprano...

Author: /time Magazine | Title: Music: Lulu and the Cinderella from Idaho | 3/28/1977 | See Source »

...short, a splendid debut. Farley's success had its Cinderella overtones as well. Reared in Moscow, Idaho, and the runner-up in the 1964 America Junior Miss Pageant, Farley, 30, has worked primarily in Europe for the past eight years. Though she already had 49 performances of Lulu to her credit, she was engaged as the cover (understudy) for Soprano Teresa Stratas. As reward, Farley had been given one of the seven performances to sing herself. A month and a half ago, Stratas withdrew from the production, complaining about lack of rehearsal time. Farley got the call...

Author: /time Magazine | Title: Music: Lulu and the Cinderella from Idaho | 3/28/1977 | See Source »

Special Problem. Conductor James Levine and Stage Director John Dexter, the duo currently guiding the Met's artistic fortunes, have come up with a brilliant Lulu. Levine unravels Berg's intricate, absorbing twelve-tone score in an almost chamberistic way, keeping all voices and orchestral strands balanced and clearly audible, yet summoning up a kind of debauched expressionism when that is called...

Author: /time Magazine | Title: Music: Lulu and the Cinderella from Idaho | 3/28/1977 | See Source »

Sunday, January 9--A super day for bowls, but a foul one for meals. You just knew the week would be a lulu when the scrambled eggs for brunch required a straw instead of a fork...

Author: By Michael K. Savit, | Title: Food For Thought, Not Consumption | 1/19/1977 | See Source »

...natural daughter of Emperor Franz Joseph, Helene was devoted to her husband until his death in 1935 and then became a fierce guardian of his works. She felt she was in communion with his spirit and refused to release the nearly finished third act of his last opera, Lulu, which is usually pieced together from dialogue and Berg's music for performances. It will be presented by the Metropolitan Opera for the first time this winter...

Author: /time Magazine | Title: Milestones, Sep. 20, 1976 | 9/20/1976 | See Source »

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