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...next season. The session lasted almost until the 8 p.m. curtain. No supper-and a good thing too: he is a 5-ft. 10-in., 200-pounder trying to lose weight. Back home at 10 p.m., Levine worked until the wee hours at his desk on Berg's Lulu; he will be conducting it next season at the Met. Next day brought a meeting at a midtown hotel about this June's Ravinia Festival near Chicago, of which he is music director. Then home for a two-hour nap, dinner, and off to the Met to conduct Aida...

Author: /time Magazine | Title: Music: The Met's Young Master | 2/23/1976 | See Source »

...Lulu has a blustery intensity that finds its source largely in the superb performance of Gian Maria Volonte. He plays the conscientious and eventually disconcerted Lulu with just the right mixture of dumb charm and derangement. It is Petri's thesis that the industrial state can be located somewhere between depersonalization and psychosis, and Volonte is eminently capable of covering the range in between. His Lulu is a creature of blind dedication with the best production record in the factory. No matter that he comes home too bushed to enjoy the amorous invitations of his mistress (the wonderful Mariangela...

Author: /time Magazine | Title: Cinema: Industrial State | 6/2/1975 | See Source »

...original title of Lulu the Tool was The Working Class Goes to Paradise, a grand-prizewinner at Cannes in 1972. There is no good reason why it has taken so long to come Stateside-the diminishing market for foreign films probably has something to do with it-and even less cause for the U.S. distributor's cutting 28 minutes from the original. Petri obviously intended the film to have a slightly frenetic quality and edited it accordingly, as if to duplicate the nerve-shredding tension of a day in the factory. The additional cutting makes the rhythm...

Author: /time Magazine | Title: Cinema: Industrial State | 6/2/1975 | See Source »

...Soon Lulu becomes as buggy as his friend. He turns rabidly political, delivers fiery speeches about the necessities of industrial reform, resistance and strike. For his pains, his mistress leaves him and the police beat him up. In politics as in work, Lulu's greatest quality- his enthusiasm-is eventually turned against...

Author: /time Magazine | Title: Cinema: Industrial State | 6/2/1975 | See Source »

Elio Petri is a film maker of deft, sar donic talents (We Still Kill the Old Way, Investigations of a Citizen Above Suspi cion, both starring Volonte). Lulu suggests no solutions. Petri takes great joy in the freedom of unrestricted attack and ignores the drudgery of coming up with answers. In fact, he could be counted on to mock anyone who dared...

Author: /time Magazine | Title: Cinema: Industrial State | 6/2/1975 | See Source »

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