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Clear hit of the evening was Berg's difficult twelve-tone piece, last played in Manhattan ten years ago. Moved by the death of the 18-year-old daughter of a close friend, Composer Berg interrupted work on his opera Lulu to write the concerto in the summer of 1935, died before he could hear it performed. A tenderly elegiac work, it spreads a filigreed web of wispy lyric phrases, works up to a climax drawn from a phrase of a Lutheran hymn (Es ist genug), ends with the violin soaring softly above the fading orchestra. Last week...

Author: /time Magazine | Title: Music: Roving Fiddler | 12/14/1959 | See Source »

...newcomers name their craft for women (Miss Sal, Lulu, Shady Lady), men (Jim Jam, Little Bub, Crafty Chris), in memeriam (Last Cent, Mama's Mink, Overtime), music (Rock 'n' Roll, Intermezzo), the sea (Blue Water, Sea Legs); little boats get little names (Yap Yap, Pixie); big ones get big names (Delphine, Trident, Chanticleer); and many are just hopefully witty (Tireless, Tubeless, Yacht-Ta-Ta). They doll up their boats with color TV sets, love to rig up the latest mariner's aids-radar, sounding devices, ship's-bell clocks, ship-to-shore telephones (more than...

Author: /time Magazine | Title: Sport: Boat Fever | 5/18/1959 | See Source »

...chorus, for the first time in my memory, is brilliantly unobtrusive. Their big number, a show stopper called "Don't Say 'No' to Lulu" is a complete success, and would be so even without the delightful gymnastics which Amyn Khan adds. Maureen Needham's choreography generally is satisfactory and sometimes, as in the "Abdication Waltz," eminently successful. The costuming, handled by Theoni Aldredge, is professional and more. The scenery, the province of Webster Lithgow, is economical and very good...

Author: By Alfred FRIENDLY Jr., | Title: Busy Bodies | 3/19/1959 | See Source »

Look After Lulu (adapted by Noel Coward from Georges Feydeau's Occupe toi d'Amélie) is a game of musical chairs played with beds. Philippe (George Baker), who must leave Paris on regimental maneuvers, asks his pal Marcel (Roddy McDowall) to look after his mistress Lulu ("Take her to the zoo"). But before Lulu (Tammy Grimes) can say "zoo, la la," she wakes up in bed with her chaperon. She promptly dives under it to make room for Marcel's own mistress, a mock-seductive duchess (Polly Rowles) with the voice and manner...

Author: /time Magazine | Title: The Theater: New Play in Manhattan, Mar. 16, 1959 | 3/16/1959 | See Source »

Director Ritchard's situation and sight gags in Lulu are best. In one lively scene, Lulu routs the duchess by prancing into Marcel's bedroom flailing a pair of fireworks sparklers; in another, an impassioned lover avidly kisses Lulu's clothed arm to the elbow, then fastidiously spits out the green fuzz...

Author: /time Magazine | Title: The Theater: New Play in Manhattan, Mar. 16, 1959 | 3/16/1959 | See Source »

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