Word: lumet
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Dates: during 1950-1959
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...Gloria and "Stoky" could never see eye to eye on the children had been apparent to friends for a long time. After she divorced him (because, as a friend says, "she found she didn't need a father, and wanted a husband"), she married Stage-TV Director Sidney Lumet, who was her own age, and resumed housekeeping in her ten-room duplex penthouse on Manhattan's fashionable Gracie Square. There, in the glow of dramatic opulence (red rugs, red chairs, white curtains, a pink passageway, a yellow door), she was transported to the heady world of upper Bohemianism...
Crossing razor-edged affidavits in a Manhattan court. Heiress Gloria ("Poor Little Rich Girl") Vanderbilt Stokowski Lumet, 35, joined battle with her ex-husband, white-maned Leopold Stokowski, over custody arrangements for their two sons, Stan. 9, and Christopher, 7. Insisting that Stokowski is really 85 (72, he claims) and "seeks to be restored to the tyrannical and despotic power he asserted over me when we were married," Gloria, herself a onetime child-custody pawn, disclosed that she once warned Stokie in a letter: "I do not want my boys exposed to your paranoid attitudes." In rejoinder, the maestro tartly...
...Penn Warren's case history of a Huey Longish red-neck politician's rise and fall. Skidding between 14 sets under the glaring lights, fretting actors stumbled over camera cables. Before banks of baffling screens and switches in the darkened control room hunched wild-haired Director Sydney Lumet ("Places, dears. From the top, daddy-O, and punch it like there's no tomorrah...
...Near Lumet, Susskind, scribbled notes on weak spots ("Need more sex chemistry between Ann and Willie . . . Can't see the gun in the assassination scene"). The hours dissolved in one, two, three rehearsals. Lines were furiously added and subtracted, camera shots sharpened. "Suddenly it's 9 o'clock," says Susskind, "and you can't go home...
...Conceived in Sin." The result was an impressive argument for live TV drama. Seldom has so much TV wallop been packed into an hour as in Director Lumet's handling of the fall of Governor Willie Stark, ruggedly played by granite-faced, gravel-voiced Neville Brand, 37, a relative unknown until his Part 1 performance a fortnight ago. Though the limitation of time forced the play to move so swiftly that complexities of Willie's evil drive for self-esteem were lost, it surged with the brutal power of Willie's premise: "Man is conceived...