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...postured as man of affairs, thinker, dude and cocksure authority on everything from high finance to socialism. As his embattled mother-in-law, Hollywood's Thelma (Rear Window) Ritter had a fine, acerb time of it sticking pins in the balloons of his pretensions. Unfortunately, Director Sidney Lumet and Adaptor Ronald Alexander chose to dwell on the resemblances between The Show-Off and The Honeymooners instead of the differences...

Author: /time Magazine | Title: Radio: The Week in Review | 2/14/1955 | See Source »

...dramatic show of the week was the Omnibus version of Sophocles' Antigone, superbly directed by Sidney Lumet and beautifully played by Beatrice Straight, Philip Bourneuf and Shepperd Strudwick. The holocaust in ancient Thebes had more suspense, tension and clash of strong personalities, as well as more biting language, than TV screens have witnessed all year...

Author: /time Magazine | Title: Radio: The Week in Review | 12/6/1954 | See Source »

...responsible for televising-this mildly Chekhovian drama: Producer Charles Russell, 32, and Director Sidney Lumet, 27. As ex-actors (Lumet was a child player in the 1935 Broadway hit, Dead End), they are more interested in character than plot, and Danger is chiefly distinguished for fine camera work, the haunting theme music of Guitarist Tony Mottola, and a leaning toward psychological melodrama. Disconcerted by the response to The Lady on the Rock, Russell & Lumet may call a halt to further experiments in realism, get back in the groove with the uncomplicated mayhem and murder that are the staple...

Author: /time Magazine | Title: Radio: Experiment in Realism | 12/31/1951 | See Source »

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