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Word: lumping (lookup in dictionary) (lookup stats)
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...they are sexually distinct figures, to movements in which they are asexual hominoids, and then further, to strange massings in which we see not figures but a wholly unfamiliar tree of elbows and buttocks, then a viscous fluidity of flesh that breaks like a wave, then a great, undifferentiated lump that slams itself about on the sculptor's table, startling us with its momentary resemblances to beasts remembered from dreams...

Author: /time Magazine | Title: Dance: Fungus, Fantasy and Fun | 11/20/1978 | See Source »

...peering through the cigar smoke and hollering at every score--and then the cheers erupted. But they weren't cheers. Screams would be the better word, or maybe squeals: the sheer delight of a naughty five-year-old who wakes up on Christmas morning to find not the threatened lump of coal, but a shiny toy truck in his stocking. Sweet Mother of God, he's actually winning, the cheers were saying, then tailing off to a manageable uproar. But what the hell are we going to do about that? they seemed to ask, behind the beatific smiles...

Author: By Francis J. Connolly, | Title: The Friends of Ed King | 9/26/1978 | See Source »

...myths of wild living, the boys mostly work long hours (when it doesn't rain), eat quickly, sleep a lot and save their money, a practice made easier by the fact that the Smalls, like most employers, pay off at the end of the season in one lump sum (minus small advances given along...

Author: /time Magazine | Title: In Montana: Rolling North with the Wheaties | 9/4/1978 | See Source »

Intercollegiate sports at Harvard are divided into two categories: football, and the rest. If considered separately, tailgating ranks a close second to football in popularity, but most objective observers lump the two together...

Author: By John Donley, | Title: Sports at Harvard: Hard to Figure | 9/1/1978 | See Source »

This process begins with Frank's preferred material, clay. Her larger recumbent figures, like Lovers, 1974, are pieced together from a dozen separate elements, each made of a clay sheet fired in the kiln. The manipulated sheet, rather than the solid lump, is the basis of her formal syntax. The clay can be molded. It sags in pleats and thick drapes. It can be rapidly scratched, poked and cut. It retains an air of spontaneity, for Frank knows where to leave a shape before it loses its sketchlike character. Harder sculptural materials, like wood, metal or stone, connote resistance...

Author: /time Magazine | Title: Art: Images off Metamorphosis | 7/10/1978 | See Source »

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