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Ocean of Neck. The London Handel moved to in 1712 was a bawdy place of brawling and bawling. Handel did well at court. Queen Anne, who had little use for musicians, pensioned him just to spite her Hanoverian cousins. Anne's successor, lumpish George I, attended almost all his operas with his favorite German mistress and her "two acres of cheeks ... an ocean of neck." The rest of London was more fickle. Addison, who had written an unsuccessful opera himself, denounced and ridiculed Handel's music. Handel's rival, the egocentric Giovanni Battista Bononcini, kept him fighting...

Author: /time Magazine | Title: Good Musick | 3/22/1948 | See Source »

...Revenge. Tate planned his treat as a show place for living painters. But there were a few reaches into the past by one director, who could not stand the way some living artists were working. Cherubic James Bolivar Manson, who was director from 1930 to 1938, once inspected two lumpish sculptures by Hans Arp and Brancusi at the request of British customs officials and advised them not to classify such horrors as art. (He finally reconsidered and the sculptures were let in.) Manson also once noted in a catalogue that Painter Maurice Utrillo was "a confirmed dipsomaniac . . . to his death...

Author: /time Magazine | Title: Art: Tote's Treat | 8/11/1947 | See Source »

...raffish crew of old pals marched up to the witness chair, testified, marched down again while Lepke sat in silence with no sign of expression on his lumpish face. Prison-pale were some of the witnesses. Ten of the 23 for the Government were felons, including: paunchy Yasha Katzenberg, described by the League of Nations as an "international menace," organizer of a $10,000,000 dope ring into which, he said Lepke muscled; Benny Schisoff, Coney Island frozen-custard man, implicated in the racket but free on a suspended sentence; John McAdams, Customs sergeant who accepted bribes to let trunkloads...

Author: /time Magazine | Title: National Affairs: Three Schlemiels | 1/1/1940 | See Source »

...colleagues, the critics, looked doubtfully at Walter Pach's show. The pictures were dull. There was a big fresco that Pach's Class of 1903 at the College of the City of New York had agreed to give their alma mater. In it three lumpish women illustrating the College's motto, Respice, Adspice and Prospice, symbolically wave their arms about at the past, present and future. Best of the other works were the water colors and several small portrait frescoes, notably one of his wife, Magda, all done with admirable intelligence and solid, conventional technique. There were...

Author: /time Magazine | Title: Art: Pach in Paint | 6/3/1935 | See Source »

When a Hamburg bull-fiddler and his 44-year-old wife produced a lumpish son 100 years ago, the world was blessed with one of its greatest musical creators. The infant son was Johannes Brahms, who lived to grow a beard which was worthy of his name. At the end of this I season that name will have added luster, for Arturo Toscanini is conducting the New York Philharmonic in no less than 18 all-Brahms concerts...

Author: /time Magazine | Title: Music: Master from Hamburg | 2/25/1935 | See Source »

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