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Word: luna (lookup in dictionary) (lookup stats)
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...masterpiece doesn't deal with technical incest, a sexual liason involving blood relatives, Lolita does capture that strange and tormented allure which a child can hold over an adult. The first, wonderful, utterly perverse shot of Lolita's toes contains more suppressed eroticism than all of Bernardo Bertolucci's Luna...

Author: By Deirdre M. Donahue, | Title: Mooning Over Mom | 11/2/1979 | See Source »

Judging from the grotesquely baroque poster and the huge press hype, however, Luna should shock and titillate its jaded audiences with graphic sex and perverted emotions. A film about incest should fascinate, challenge or perhaps disgust its viewers...

Author: By Deirdre M. Donahue, | Title: Mooning Over Mom | 11/2/1979 | See Source »

...bore them? Bertolucci commits the ultimate cinematic crime: his film is stultifying dull. Luna excites little besides yawns and the desire to leave the theater. By the time Jill Clayburgh has mouthed her last aria, most of the audience at the Sack Cheri were long gone. Approximately two hours, Luna seems an eternity spent in limbo. Hell, in the form of a truly low-grade bad movie would have been more exciting...

Author: By Deirdre M. Donahue, | Title: Mooning Over Mom | 11/2/1979 | See Source »

...cast of La Dolce Vita. Obscene screaming matches and violent brawls quickly give way to grueling sequences featuring heroin injection and masturbatory sex. The film's dramatic structure is built around the secrets the characters keep from each other: there is more than one Oedipal affair in Luna...

Author: /time Magazine | Title: Cinema: Clayburgh's Double Feature | 10/8/1979 | See Source »

...Luna's images are so hypnotic, erotic and beautifully shot (by Vittorio Storaro) that we enter the movie's unpleasant milieu easily and remain captivated throughout. While the film is full of golden Parma landscapes, the dominant visual fixture is the moon: it is the film's metaphor for characters whose mysterious dark sides only gradually reveal themselves. In Bertolucci's brilliant climax, set at an open-air opera rehearsal, his artis tic conceits all converge. As the camera constantly shifts its point of view, we see that Luna 's events form a different drama...

Author: /time Magazine | Title: Cinema: Clayburgh's Double Feature | 10/8/1979 | See Source »

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