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Eminent among U. S. dancers, Ruth St. Denis and Ted Shawn have been married since 1914, are professionally inseparable as the Guitrys, Sothern & Marlowe, or Lunt & Fontanne. Full-lipped, slim, fiftyish, grey-haired since she was 18, Miss St. Denis has been dancing for 25 years - five years longer than her husband who is considerably her junior. Ambitious, intelligent, they are less academic than the late Anna Pavlova, less Dionysian than the late Isadora Duncan. Last week's audience, like many another, found them at their best in straight forward pictorial interpretations : Miss St. Denis in the Salome dance...

Author: /time Magazine | Title: Music: God in a Stadium | 9/7/1931 | See Source »

...Alfred Lunt and Lynn Fontanne, wheel-horses of Manhattan's Theatre Guild, Helen Hayes, pudgy emotional actress, Bert Lahr, loud-voiced comic, and Jimmy Durante, long-nosed, button-eyed master of ceremonies who makes up his own gags, will work for Metro-Goldwyn-Mayer. Lunt & Fontanne's first picture will probably be Private Lives...

Author: /time Magazine | Title: Cinema: Planning Season | 5/11/1931 | See Source »

...play in three acts by Maxwell Anderson, now being presented by the Theatre Guild, Inc., of New York at the Colonial Theatre, with the following cast: Elizabeth Lynn Fontanne Lord Essex Alfred Lunt Francis Bacon Morris Carnovsky Lord Burghley Edward Fielding and others...

Author: By E. E. M., | Title: The Crimson Playgoer | 3/10/1931 | See Source »

...rather colorless, weak sort as the author paints her, and it is hard to make such a person vital in such a play. Aside from her diction and a few unrestrained dramatics that were difficult to avoid, however, she turned in a creditable performance. Mr. Lunt assisted her with no great brilliancy, but as well as his lines would permit. And if the Court Fool was the epitome of Elizabethan wit and humor, "merrie England" is a euphemism...

Author: By E. E. M., | Title: The Crimson Playgoer | 3/10/1931 | See Source »

Elizabeth The Queen is a sabre-rattling, pompous historical pageant which relates Maxwell Anderson's idea of the love of the Virgin Queen for the Earl of Essex. Author Lytton Strachey's notion to the contrary, Mr. Anderson's Elizabeth (Lynn Fontanne) and Essex (Alfred Lunt) are heroic amorists whose sturdy devotion is thwarted only because they love power more. To indicate her robustness Mrs. Lunt feels called upon to pitch her usually pleasant voice very deep in her throat and to speak her lines as loudly as possible, the effect of which is not unlike...

Author: /time Magazine | Title: The Theatre: New Plays in Manhattan: Nov. 17, 1930 | 11/17/1930 | See Source »

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