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...magazine. He has a tremendous talent for making people like him, and among those who do are most of the nation's electric-lit names. He works hard and circulates fast, so that readers of The Family Circle are let in on what Lupe Velez said to Johnny Weissmuller when she wanted him to hit a drunk at the next table; what Douglas Fairbanks Jr. and Joan Crawford told about their trip to Europe; how George Olsen travelled all the way to Cincinnati because he thought he could beat Ben Bernie at golf. The Family Circle also brightens...

Author: /time Magazine | Title: Press: Graduates of Life | 10/3/1932 | See Source »

...other hand, Lois Moran topped a middling success in last season's This is New York with an appearance in the smash-hit Of Thee I Sing. Charles ("Buddy") Rogers, and, to a far greater degree, Lupe Velez, are currently enjoying a profitable association with Florenz Ziegfeld in his ornamental Hot-cha! An old leading man of Miss Moran's, Lawrence Gray, lent a dignified if uncertain grace to The Laugh Parade about the same time that Fay Wray starred in a short engagement of her husband's strange musical mixture, Nikki. Life Begins (by Mary McDougal...

Author: /time Magazine | Title: The Theatre: New Plays in Manhattan: Apr. 4, 1932 | 4/4/1932 | See Source »

...ingénue is a tall blond named June Knight. Bert Lahr, whose large following is convulsed by his funny faces and mispronunciations, is the comedian and Lynne Overman (Dancing Partners) is more or less his foil. The siren is a dark mite with a great big smile, Cinemactress Lupe Velez. Her shapely shoulders are burdened with that part of the show which Mr. Lahr does not carry. Last week she inspired Hearst Colyumist Arthur Brisbane, whose employer owns the Ziegfeld Theatre, to strike off a memorable simile. Wrote Mr. Brisbane: "Thirty 'glorified' girls that stand behind her and also wriggle...

Author: /time Magazine | Title: The Theatre: New Plays in Manhattan: Mar. 21, 1932 | 3/21/1932 | See Source »

This time Warner Baxter is the hero, Lupe Velez the svelte squaw who consoles him on the Arizona prairies. A scion of British aristocracy, he has left England after appropriating the disgrace of an embezzlement committed by a cousin and after saying farewell to the cousin's wife, with whom he is in love. When the cousin's wife, finally a widow, goes to Arizona, the picture has a halfway happy ending because the squaw, having contracted the habit of self-sacrifice, kills herself...

Author: /time Magazine | Title: Cinema: The New Pictures: Sep. 28, 1931 | 9/28/1931 | See Source »

...best characterizations were done by E. Alyn Warren as Lo Sang Kee, the cultured and dignified old Chinaman and E. G. Robinson as the vulgar and blatant half caste, Charlie Young. Lewis Ayres makes an ornamental hero and Lupe Velez has her moments, but she has a tendency towards overacting and is a shade too kittenish for a demure Chinese doll. In short the excellent direction and casting save it from being just another one of those pictures...

Author: By S. H. W., | Title: The Crimson Playgoer | 10/21/1930 | See Source »

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