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Deep Valley (Warner) is a story about lonely people, and what the breakdown of their loneliness does for them-and to them. A remote California farm is abruptly opened to contact with the world when a convict road gang bulldozes its way into the neighborhood. The daughter (Ida Lupino), a loveless, stammering slavey, runs off and hides in the woods with a fugitive convict (Dane Clark). Her malingering mother (Fay Bainter) and her embittered father (Henry Hull), forced to depend on each other, strike off the shackles of their years of hatred. The main story centers, of course...

Author: /time Magazine | Title: The New Pictures, Sep. 15, 1947 | 9/15/1947 | See Source »

...judge by the film, the sisters were rather like Little Women on an overcast day. Father Brontë (Montagu Love), though a grouch, was not really a bad old sort. Emily (Ida Lupino) found stimulation in a skyline wreck which she called "Wuthering Heights," and frequently flared her nostrils at the moors. Charlotte (Olivia de Havilland), a pretty, man-apt, comfortable soul, was the last sort of girl in the world you would expect to write a novel, even Jane Eyre-which, one gathers, was just a drugstore romance. Arrogant Brother Branwell (Arthur Kennedy), more true to history, drowned...

Author: /time Magazine | Title: Cinema: The New Pictures, Apr. 15, 1946 | 4/15/1946 | See Source »

Divorced. By Ida Lupino, 27, big-eyed, high-strung cinemactress (The Hard Way): Cinemactor Louis Hayward, 36, ex-Marine Corps captain; after nearly seven years of marriage; in Los Angeles...

Author: /time Magazine | Title: Milestones, May 21, 1945 | 5/21/1945 | See Source »

...Lupino, sharp-faced cinema minx, fell victim to a popular domestic hazard when she slipped in her bathtub, was kept to her home with a sprained neck...

Author: /time Magazine | Title: People: People, Oct. 16, 1944 | 10/16/1944 | See Source »

Because it is sincerely written and carefully acted, notably by Miss Lupino, and because Vincent Sherman is one Hollywood director who tries to make every shot count, In Our Time manages now & then to give domestic point to the political drama in the background. But much of it is too purely domestic, and some of it suggests a blunted, insensitive imitation of Chekhov...

Author: /time Magazine | Title: The New Pictures, Feb. 7, 1944 | 2/7/1944 | See Source »

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